Showing posts with label Jaleo. Show all posts
Showing posts with label Jaleo. Show all posts
Friday, August 26, 2022
Wednesday, September 18, 2019
Saturday, September 14, 2019
Saturday, April 13, 2019
Saturday, December 22, 2018
A workshop with Javier Latorre
I didn't publish it's about to happen because the way to publish it wasn't fit the way I do it. So, two days, two levels. It was advanced (for professional dancers) and medium level. As far as I'm not a professional dancer and really wanted to do it - as usual I took the medium level. At the studio of Mijal Natan who brought him.
Day one
I came early for having time to change without stress. I've seen the end of the advanced class. It was quite full. It included three dancers and former dancers from the Mijal's company. There was another flamenco teacher who didn't look too good - mostly next to the other dancers. There was someone that her face were familiar and I can't remember where did I see her before (it's possible that in some other workshops like this) and she was dancing well. Someone that I've never seen before and found out that she isn't Israeli looked unsure at herself. And there was someone who I knew for a short time. It took me some time to remember her name. I could remember from the first moment where did I see her before. She came for a short time for technique classes that I'm taking at the studio of Mijal. I don't remember if she was dancing normal then, I mostly remember that ?I never liked her because of her personality. I know that she isn't a professional dancer and she practice less than me, so I couldn't understand how dare she trying to take this level. I had enough time to see that Javier made some weird movements just to tell her to control her body. Just because of my "love" to her and because she was there - I was amused from it.
The medium level has started with a little late. Not many came to this level. I took it, there was a grown woman from another studio that I remember we've been taking some workshops together, The good dancer with the familiar face stayed and the horrible girl stayed as well. The warming was with rock music that sounds like from the '70. All the rest was very traditional way to arm the body before dancing. He showed us a bit what to do, most of time he looked how do we make it. The fixings came out already in this part. At that part it still was gentle.
After the warming - Mijal joined us for dancing. The palo was Jaleo. Javier said that the music isn't Jaleo, but the beat is Jaleo. The music that we had from that part to the end of class was sad, beautiful and flamenco. We learned a bit more than two minutes of a dance. At this part - some more fixings. All of us got it. Gentle? Depend who. The grown woman and me got it gentle. Even Mijan got fixed a bit and got it gentle. The girl who I don't like.... Javier went on doing some weird movements, said that this is the way that she dances and she must stop dancing this way. Near the end of class he even looked that he have no more patience for her. Well, because of my deep feelings for her - at my head was "don't laugh, don't laugh!". Outside my head I did laugh a bit...
Twice he left us to practice without him.
When class time almost finished - Javier told us to take of cameras for a video. He danced for us anything we had that day for we could see it over the night and remember at the next day.
We danced it few more times. We had a little brake. Javier told the girl that she don't know how to stand. A dancer must know how to stand. A real dancer must stand like a dancer, look at the mirror and see a dancer, all the rest comes after that. He showed how does she stands. He said that this way - there is no dancer who stands this way. Maybe there is, but a bad dancer. Me: he's right, try not to laugh. I laughed a bit. We danced a bit more.
Day two
This time the girl who don't know to stand didn't come. The grown woman didn't come. The flamenco teacher who isn't amazing didn't come. This time - all the girls who came to the advanced accept one of the former dancers from Mijal's company and the girl who isn't sure of herself stayed for the Jaleo. Javier didn't notice the time and the advanced class finished after time. And then - 5 minutes. He felt like he must tell me that personally as well. I sent him a message that Miguel asked me to. They used to work together years ago, looks like for the first time that Miguel is pleased that I'm taking a workshop with another man.
When the class has started - pop from the '70 and Édith Piaf for the warming. The same idea of warming like the day before, less fixings.
Once again - Mijal joined the class when the warming has finished. We returned over all the dance from the day before. Most of the girls haven't been at the day before, the few who have - we needed to refresh our memories. It was slowly because of it. Then a little part learning how to continue. He let us to practice alone the new part. Mijal was leading us at this moment. One of the dancers from her company was shocked that it was a small part that was new. As far as most weren't there at the day before - we were practicing all from the start. Few girls has started with wondering if it fits to continue some more. Well, near the end of class. Javier said it will be a bit more, but the meaning was for the class itself and we finished the choreography. He showed us the new part for we will have a video of it. When I made a try to take my phone for it - my phone fell on the floor. Javier saw it and was joking that the phone committed a suicide. OK, kinda funny. For the end we danced all few more times. Few girls came for a rehearsal. It's less than a week to the premiere of "Alba", a new show of Compas Company, the company of Mijal Natan. Silvia Duran also takes a part on stage. Jaier made the choreography for the show and he came to Israel for seeing how does it starts for real.
For the end - a traditional photo/s with the dancer who gave the workshop:
Day one
I came early for having time to change without stress. I've seen the end of the advanced class. It was quite full. It included three dancers and former dancers from the Mijal's company. There was another flamenco teacher who didn't look too good - mostly next to the other dancers. There was someone that her face were familiar and I can't remember where did I see her before (it's possible that in some other workshops like this) and she was dancing well. Someone that I've never seen before and found out that she isn't Israeli looked unsure at herself. And there was someone who I knew for a short time. It took me some time to remember her name. I could remember from the first moment where did I see her before. She came for a short time for technique classes that I'm taking at the studio of Mijal. I don't remember if she was dancing normal then, I mostly remember that ?I never liked her because of her personality. I know that she isn't a professional dancer and she practice less than me, so I couldn't understand how dare she trying to take this level. I had enough time to see that Javier made some weird movements just to tell her to control her body. Just because of my "love" to her and because she was there - I was amused from it.
The medium level has started with a little late. Not many came to this level. I took it, there was a grown woman from another studio that I remember we've been taking some workshops together, The good dancer with the familiar face stayed and the horrible girl stayed as well. The warming was with rock music that sounds like from the '70. All the rest was very traditional way to arm the body before dancing. He showed us a bit what to do, most of time he looked how do we make it. The fixings came out already in this part. At that part it still was gentle.
After the warming - Mijal joined us for dancing. The palo was Jaleo. Javier said that the music isn't Jaleo, but the beat is Jaleo. The music that we had from that part to the end of class was sad, beautiful and flamenco. We learned a bit more than two minutes of a dance. At this part - some more fixings. All of us got it. Gentle? Depend who. The grown woman and me got it gentle. Even Mijan got fixed a bit and got it gentle. The girl who I don't like.... Javier went on doing some weird movements, said that this is the way that she dances and she must stop dancing this way. Near the end of class he even looked that he have no more patience for her. Well, because of my deep feelings for her - at my head was "don't laugh, don't laugh!". Outside my head I did laugh a bit...
Twice he left us to practice without him.
When class time almost finished - Javier told us to take of cameras for a video. He danced for us anything we had that day for we could see it over the night and remember at the next day.
We danced it few more times. We had a little brake. Javier told the girl that she don't know how to stand. A dancer must know how to stand. A real dancer must stand like a dancer, look at the mirror and see a dancer, all the rest comes after that. He showed how does she stands. He said that this way - there is no dancer who stands this way. Maybe there is, but a bad dancer. Me: he's right, try not to laugh. I laughed a bit. We danced a bit more.
Day two
This time the girl who don't know to stand didn't come. The grown woman didn't come. The flamenco teacher who isn't amazing didn't come. This time - all the girls who came to the advanced accept one of the former dancers from Mijal's company and the girl who isn't sure of herself stayed for the Jaleo. Javier didn't notice the time and the advanced class finished after time. And then - 5 minutes. He felt like he must tell me that personally as well. I sent him a message that Miguel asked me to. They used to work together years ago, looks like for the first time that Miguel is pleased that I'm taking a workshop with another man.
When the class has started - pop from the '70 and Édith Piaf for the warming. The same idea of warming like the day before, less fixings.
Once again - Mijal joined the class when the warming has finished. We returned over all the dance from the day before. Most of the girls haven't been at the day before, the few who have - we needed to refresh our memories. It was slowly because of it. Then a little part learning how to continue. He let us to practice alone the new part. Mijal was leading us at this moment. One of the dancers from her company was shocked that it was a small part that was new. As far as most weren't there at the day before - we were practicing all from the start. Few girls has started with wondering if it fits to continue some more. Well, near the end of class. Javier said it will be a bit more, but the meaning was for the class itself and we finished the choreography. He showed us the new part for we will have a video of it. When I made a try to take my phone for it - my phone fell on the floor. Javier saw it and was joking that the phone committed a suicide. OK, kinda funny. For the end we danced all few more times. Few girls came for a rehearsal. It's less than a week to the premiere of "Alba", a new show of Compas Company, the company of Mijal Natan. Silvia Duran also takes a part on stage. Jaier made the choreography for the show and he came to Israel for seeing how does it starts for real.
For the end - a traditional photo/s with the dancer who gave the workshop:
Wednesday, September 12, 2018
Wednesday, May 3, 2017
Wednesday, November 9, 2016
Thursday, July 28, 2016
Saturday, January 2, 2016
Miguel Angel's workshop - December 2015
I took again medium level. Although it isn't the first time that I take a workshop of him I wasn't sure if I should jump to pro level. For two levels I didn't enough money. After that I found out that the pro level includes algeria..... I rather watch it. I feel fine with the medium level.
Day one
Miguel knew that I'm about to come, but he still looked a bit surprised to see that I really came. Just for a moment. It was the end of the pro class for that day. Miguel and me could say "hello" normally, but he found a crazy way to sign me more than once. One more moment that makes me feel like a teen fan.... It made me laugh. On the "balcony" at the studio was resting a flamenco teacher from the north. I have more than one theory why did she take only one class at the level that I took. THere is also an old lady that I meet many times at workshops. So far only at Miguel's workshops and once or twice also at Maria Juncal. When she saw me she needed to remind me (again) that we met before at a former workshop. I remember.... I remember her face, I remember where did we meet and I remember that it isn't the first time that she reminds me that information. I don't remember her name, and that she didn't tell. She came this time with a friend that I think that I saw her once bfore, but I still don't really know yet.
Between classes I was talking with Idit who came to pro level and with Miguel. I was worried that I still couldn't give him a copy of the photos I took at the evening before - at the rehearsal. He was much less worried than me.
At the level that I took - jaleo. A flamenco teacher from Jerusalem who took the pro level stayed. She came back to class when the warming for the jaleo has started. Of course - when she took her place at this class - she took it very close to me. Too close. Too many times it happens to me that someone try to run over me at classes. This time it was her, most of class time. Ilan has a joke about it and I started to think of his laugh if he was there to see it. And like it wasn't enough for her - she didn't get a thing, or at least it looked this way. Since the moment we've been moved to the dance itself - she didn't stop asking questions of how does every move goes. For me - I started to wonder if I shouldn't take the pro level class although it's alegria. I did enjoy this class, but because it wasn't the first workshop that I took of Miguel (and I hope for many more that he gives), so I started to wonder if it isn't time to challenge myself at his classes. Still I'm not even close for being sorry for taking this class, just sorry that I couldn't take all.
Near the end of this class we made a brake from dancing. Because of the questions Miguel told us about this palo - from were did it come from at Spain and ways it could sound and look like. We made a practice on palmas for it. Miguel even started to sing for us!
Got back dancing. Miguel said that the song that he brought for us is too fast. He will look for another song for the next day. The same palo but a slower song. Near the end one of my rings fell on the floor by dancing. I stopped dancing for taking it. Got back dancing a moment after it was on my finger again. I wouldn't tell about it if it was ending by that. Miguel looked at me. After we finished this round of dancing Miguel found out what to say. He was joking it looks like a movie - the ring is rolling on the floor and I'm running after it while saying "It's mine! It's mine! the ring is mine!". Fine... Because it's him I'll take it as he wanted it to be - as a joke.
For the end we had another quiet song. We didn't really dance, just made some flamenco moves that can be a part of a dance. That was the relaxing part of the class.
Day two
Friday morning. Both flamenco teachers who came to learn at the day before didn't come this time. A girl that I know her face from other workshops came this time to the jaleo class. Between classes Miguel was joking he has some paparazzi there because some girls already made videos of the alegria from the pro class. I told him that at the day after - I'm about to be the paparazzi. I would like to have a video of all the jaleo dance and I would like to have a photo with him. He said we could have a photo together after this class. He said that maybe we should have it with Mijal this time. I said it could be good because there is light. He said that of course there is light, it's Israel....
For a start as a joke he asked the girl who missed the first day "what was yesterday?". The warming was to practice the steps of the day before, not before he was joking on the rolling ring and my running after it.
He took care for another song, but it was on Mijal's phone. Mijal gave him her phone and was putting on the song's place. We learned some new steps and made it with the part of the day before. Once that Miguel wanted to start the music from the start happened something. He looked at me for a ,moment and asked me "Where is the music?". For a moment I thought it's one of his jokes, but no. He meant it. The music came out from a Whatsup application. By mistake he went out from this conversation. As far as all connection people at Mijal's phone are written in Hebrew - he asked me to help him to find it again. I came. The old woman who I hardly know and came with the one who I saw before many times before came after me. Until the music has been found again she stood behind me without giving much space. I didn't try to look at her, but on my head there was the thought of "who the hell is she and why does she's following me?".
The other girls made videos of the new steps. After that Miguel asked me where is my phone. It's up, on the balcony.
We went on with class. While the relaxing part - came some dancers from the company. And the singer who work with the company at the show AguaDulce. They weren't the only ones. A photographer who I know came with students. It was a part of a photography workshop that he gives and I missed being a part of it. All came for rehearsal that came later on.
Between class and rehearsal - I brought my phone and opened it. On the way I told Mijal that we're about to make a photo together and it will be nice if she will join us. But there will be another day! Fine.... She didn't like the idea that it can't wait for tomorrow, but accepted. Hello to the photographer. He wasn't surprised to see me. I wasn't surprised to see him but was jealous at his students. We made a photo with Mijal at my phone. It took some time to show it because it takes some time to my phone. Then Miguel asked to have a photo with me alone as well. Mijal took it. I asked if they accept that I'll put it on Facebook. Mijal said something like "whatever she wants". So here it is:
Day one
Miguel knew that I'm about to come, but he still looked a bit surprised to see that I really came. Just for a moment. It was the end of the pro class for that day. Miguel and me could say "hello" normally, but he found a crazy way to sign me more than once. One more moment that makes me feel like a teen fan.... It made me laugh. On the "balcony" at the studio was resting a flamenco teacher from the north. I have more than one theory why did she take only one class at the level that I took. THere is also an old lady that I meet many times at workshops. So far only at Miguel's workshops and once or twice also at Maria Juncal. When she saw me she needed to remind me (again) that we met before at a former workshop. I remember.... I remember her face, I remember where did we meet and I remember that it isn't the first time that she reminds me that information. I don't remember her name, and that she didn't tell. She came this time with a friend that I think that I saw her once bfore, but I still don't really know yet.
Between classes I was talking with Idit who came to pro level and with Miguel. I was worried that I still couldn't give him a copy of the photos I took at the evening before - at the rehearsal. He was much less worried than me.
At the level that I took - jaleo. A flamenco teacher from Jerusalem who took the pro level stayed. She came back to class when the warming for the jaleo has started. Of course - when she took her place at this class - she took it very close to me. Too close. Too many times it happens to me that someone try to run over me at classes. This time it was her, most of class time. Ilan has a joke about it and I started to think of his laugh if he was there to see it. And like it wasn't enough for her - she didn't get a thing, or at least it looked this way. Since the moment we've been moved to the dance itself - she didn't stop asking questions of how does every move goes. For me - I started to wonder if I shouldn't take the pro level class although it's alegria. I did enjoy this class, but because it wasn't the first workshop that I took of Miguel (and I hope for many more that he gives), so I started to wonder if it isn't time to challenge myself at his classes. Still I'm not even close for being sorry for taking this class, just sorry that I couldn't take all.
Near the end of this class we made a brake from dancing. Because of the questions Miguel told us about this palo - from were did it come from at Spain and ways it could sound and look like. We made a practice on palmas for it. Miguel even started to sing for us!
Got back dancing. Miguel said that the song that he brought for us is too fast. He will look for another song for the next day. The same palo but a slower song. Near the end one of my rings fell on the floor by dancing. I stopped dancing for taking it. Got back dancing a moment after it was on my finger again. I wouldn't tell about it if it was ending by that. Miguel looked at me. After we finished this round of dancing Miguel found out what to say. He was joking it looks like a movie - the ring is rolling on the floor and I'm running after it while saying "It's mine! It's mine! the ring is mine!". Fine... Because it's him I'll take it as he wanted it to be - as a joke.
For the end we had another quiet song. We didn't really dance, just made some flamenco moves that can be a part of a dance. That was the relaxing part of the class.
Day two
Friday morning. Both flamenco teachers who came to learn at the day before didn't come this time. A girl that I know her face from other workshops came this time to the jaleo class. Between classes Miguel was joking he has some paparazzi there because some girls already made videos of the alegria from the pro class. I told him that at the day after - I'm about to be the paparazzi. I would like to have a video of all the jaleo dance and I would like to have a photo with him. He said we could have a photo together after this class. He said that maybe we should have it with Mijal this time. I said it could be good because there is light. He said that of course there is light, it's Israel....
For a start as a joke he asked the girl who missed the first day "what was yesterday?". The warming was to practice the steps of the day before, not before he was joking on the rolling ring and my running after it.
He took care for another song, but it was on Mijal's phone. Mijal gave him her phone and was putting on the song's place. We learned some new steps and made it with the part of the day before. Once that Miguel wanted to start the music from the start happened something. He looked at me for a ,moment and asked me "Where is the music?". For a moment I thought it's one of his jokes, but no. He meant it. The music came out from a Whatsup application. By mistake he went out from this conversation. As far as all connection people at Mijal's phone are written in Hebrew - he asked me to help him to find it again. I came. The old woman who I hardly know and came with the one who I saw before many times before came after me. Until the music has been found again she stood behind me without giving much space. I didn't try to look at her, but on my head there was the thought of "who the hell is she and why does she's following me?".
The other girls made videos of the new steps. After that Miguel asked me where is my phone. It's up, on the balcony.
We went on with class. While the relaxing part - came some dancers from the company. And the singer who work with the company at the show AguaDulce. They weren't the only ones. A photographer who I know came with students. It was a part of a photography workshop that he gives and I missed being a part of it. All came for rehearsal that came later on.
Between class and rehearsal - I brought my phone and opened it. On the way I told Mijal that we're about to make a photo together and it will be nice if she will join us. But there will be another day! Fine.... She didn't like the idea that it can't wait for tomorrow, but accepted. Hello to the photographer. He wasn't surprised to see me. I wasn't surprised to see him but was jealous at his students. We made a photo with Mijal at my phone. It took some time to show it because it takes some time to my phone. Then Miguel asked to have a photo with me alone as well. Mijal took it. I asked if they accept that I'll put it on Facebook. Mijal said something like "whatever she wants". So here it is:
After that the flamenco teacher asked me through Facebook what happened on class and if I can send her a video.....
Third day
I usually take the dancing videos on a camera, but the flamenco teacher wrote me that she won't be able to come to the last class. She wants me to send her a video at WhatsUp. Whatever.... I took my phone for it and made it on silence for it won't disturb on class. At the end of the pro class Idit asked me to take a video of the alegria with her phone. Miguel had to say something about NOT making a photo. By the way - the paparazzi.... Later on I will be the paparrazi... Idit told me it was a joke over her. The flamenco teacher from Jerusalem came, but she was only at the pro class. Fine. She won't run over me.
Between classes I reminded Miguel that I want a video of the jaleo. He said that this time it isn't for Facebook. Of course not! And another photo. By the way I gave him and Mijal CD's with photos that I took at the rehearsal few days earlier.
This time again there was warming by a practice on steps from a day before. And moving on for dancing. This time Miguel changed another thing about the music - this time it came from his phone. One more problem - the battery of his phone was about to die after a full day at the studio. He came prepare with cables, but couldn't find where to put it while his phone will stay connected to the volume. As a friend I came to try helping him. The strange woman who came after me at the day before came after me once again at this part. I didn't try to look at her. This time at my head was the thought "what's her f***king problem? Who asked her to come?" The problem with problem with the phone has been managed, but the strange woman didn't disappear.
Lots of practice. Some new steps and coming back on all together. Near the end the old woman who I know a bit through workshops got a crush on my shoes. She didn't wait to end of class for asking me where did I get it.
At the end Miguel showed us the new part and all together. Two new videos on my phone.
And the relaxing part. Just moving with with fun music without a certain full dance.
After that the old women took pictures one of another with Miguel. I gave the old woman that I know my phone for she will take a photo of mine with Miguel. Because of my phone was still silence - she didn't hear a sound and was sure that she didn't take any photo, but there was a photo:
After class also Mijal asked me to send her the video that I took of the jaleo dance. I stayed the last one at the studio between the students
Labels:
Alegria,
Flamenco,
Jaleo,
Miguel Angel,
Mijal Natan,
Tel Aviv,
אלגריה,
חלאו,
מיגל אנחל,
מיכל נתן,
פלמנקו,
תל אביב
Monday, December 21, 2015
The workshops starts this week
הרקדן והכוריאוגרף הספרדי Miguel Angel חוזר לישראל!
ויקיים קורס מרוכז בבית להקת הפלמנקו הישראלית
בסוף חודש דצמבר 2015
חמישי, ששי, שבת
24, 25, 26 בדצמבר 2015
24.12 ו-26.12 - 18:00 - מתקדמים - ALEGRIAS
19:30 - בינוניים - JALEOS
21:00 - מתחילים - TANGUILLOS
25.12 - 10:00 - מתקדמים
11:30 - בינוניים
13:00 - מתחילים
מחיר הקורס מסובסד - 400 ש"ח. 20% הנחה לקורס שני
הקורס יתקיים בבית להקת הפלמנקו הישראלית
CASA COMPAS- המסגר 60, תל אביב
מחיר מיוחד למשתתפי הקורס למופעי הלהקה בהם יתארח Miguel:
2.1.16 - סוזן דלל. AguaDulce חגיגי מארח את Miguel Angel
3.1.16 - סוזן דלל. דוד ובת שבע-דרמת פלמנקו.
למידע נוסף ולהרשמה:
03-6959536, 054-2322884 keren@flamenco.co.il
ויקיים קורס מרוכז בבית להקת הפלמנקו הישראלית
בסוף חודש דצמבר 2015
חמישי, ששי, שבת
24, 25, 26 בדצמבר 2015
24.12 ו-26.12 - 18:00 - מתקדמים - ALEGRIAS
19:30 - בינוניים - JALEOS
21:00 - מתחילים - TANGUILLOS
25.12 - 10:00 - מתקדמים
11:30 - בינוניים
13:00 - מתחילים
מחיר הקורס מסובסד - 400 ש"ח. 20% הנחה לקורס שני
הקורס יתקיים בבית להקת הפלמנקו הישראלית
CASA COMPAS- המסגר 60, תל אביב
מחיר מיוחד למשתתפי הקורס למופעי הלהקה בהם יתארח Miguel:
2.1.16 - סוזן דלל. AguaDulce חגיגי מארח את Miguel Angel
3.1.16 - סוזן דלל. דוד ובת שבע-דרמת פלמנקו.
למידע נוסף ולהרשמה:
03-6959536, 054-2322884 keren@flamenco.co.il
מספר המקומות מוגבל!
Labels:
Alegria,
Flamenco,
Jaleo,
Miguel Angel,
Tanguillos,
Tel Aviv,
אלגריה,
חלאו,
טנגיו,
מיגל אנחל,
פלמנקו,
תל אביב
Tuesday, December 15, 2015
Miguel Angel's workshops at Tel Aviv, December 2015
הרקדן והכוריאוגרף הספרדי Miguel Angel חוזר לישראל!
ויקיים קורס מרוכז בבית להקת הפלמנקו הישראלית
בסוף חודש דצמבר 2015
חמישי, ששי, שבת
24, 25, 26 בדצמבר 2015
24.12 ו-26.12 - 18:00 - מתקדמים - ALEGRIAS
19:30 - בינוניים - JALEOS
21:00 - מתחילים - TANGUILLOS
25.12 - 10:00 - מתקדמים
11:30 - בינוניים
13:00 - מתחילים
מחיר הקורס מסובסד - 400 ש"ח. 20% הנחה לקורס שני
הקורס יתקיים בבית להקת הפלמנקו הישראלית
CASA COMPAS- המסגר 60, תל אביב
מחיר מיוחד למשתתפי הקורס למופעי הלהקה בהם יתארח Miguel:
2.1.16 - סוזן דלל. AguaDulce חגיגי מארח את Miguel Angel
3.1.16 - סוזן דלל. דוד ובת שבע-דרמת פלמנקו.
למידע נוסף ולהרשמה:
03-6959536, 054-2322884 keren@flamenco.co.il
ויקיים קורס מרוכז בבית להקת הפלמנקו הישראלית
בסוף חודש דצמבר 2015
חמישי, ששי, שבת
24, 25, 26 בדצמבר 2015
24.12 ו-26.12 - 18:00 - מתקדמים - ALEGRIAS
19:30 - בינוניים - JALEOS
21:00 - מתחילים - TANGUILLOS
25.12 - 10:00 - מתקדמים
11:30 - בינוניים
13:00 - מתחילים
מחיר הקורס מסובסד - 400 ש"ח. 20% הנחה לקורס שני
הקורס יתקיים בבית להקת הפלמנקו הישראלית
CASA COMPAS- המסגר 60, תל אביב
מחיר מיוחד למשתתפי הקורס למופעי הלהקה בהם יתארח Miguel:
2.1.16 - סוזן דלל. AguaDulce חגיגי מארח את Miguel Angel
3.1.16 - סוזן דלל. דוד ובת שבע-דרמת פלמנקו.
למידע נוסף ולהרשמה:
03-6959536, 054-2322884 keren@flamenco.co.il
מספר המקומות מוגבל!
Labels:
Alegria,
Compas,
Flamenco,
Jaleo,
Miguel Angel,
Tanguillos,
Tel Aviv,
אלגריה,
להקת קומפאס,
מיגל אנחל,
פלמנקו,
תל אביב
Sunday, August 16, 2015
Sunday, May 31, 2015
A recommended workshop at Italy
Il grande bailaor e maestro Miguel Angel Espino, tornerà a Macerata per uno stage intensivo di Flamenco. Questi i livelli e palos di studio:
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
Labels:
Flamenco,
Italia,
Italy,
Jaleo,
Miguel Angel,
Tanguillos,
איטליה,
חלאו,
טנגיו,
מיגל אנחל,
פלמנקו
Wednesday, May 27, 2015
Tuesday, May 26, 2015
Upcoming workshops of Miguel Angel at Italy
Il grande bailaor e maestro Miguel Angel Espino, tornerà a Macerata per uno stage intensivo di Flamenco. Questi i livelli e palos di studio:
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
Labels:
Flamenco,
Italia,
Italy,
Jaleo,
Miguel Angel,
Tanguillos,
איטליה,
חלאו,
טנגיו,
מיגל אנחל,
פלמנקו
Friday, May 22, 2015
Workshops of Miguel Angel at Italy
Il grande bailaor e maestro Miguel Angel Espino, tornerà a Macerata per uno stage intensivo di Flamenco. Questi i livelli e palos di studio:
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
Labels:
Flamenco,
Italia,
Italy,
Jaleo,
Miguel Angel,
Tanguillos,
איטליה,
חלאו,
טנגיו,
מיגל אנחל,
פלמנקו
Thursday, May 21, 2015
STAGE DI FLAMENCO con MIGUEL ANGEL ESPINO
Il grande bailaor e maestro Miguel Angel Espino, tornerà a Macerata per uno stage intensivo di Flamenco. Questi i livelli e palos di studio:
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
LIV. PRINCIPIANTI-INTERMEDIO: Tanguillo
sabato 6: h./16,30-1800
domenica 7: h./10,30-12,00
LIV. INTERMEDIO-AVANZATO: Jaleos
sabato 6: h./18,00 -19,30
domenica 7: h./12,00 -13,30
Lo stage sarà ospitato presso la sala de: "Il Balletto di Macerata", via Maffeo Pantaleoni, 2/, 62100 Macerata, Italy.
Per info prezzi e contatti: Michela Fossà
*cell. 338 4002009 *e.mail: lahermosota@hotmail.com
Labels:
Flamenco,
Italy,
Jaleo,
Miguel Angel,
Tanguillos,
איטליה,
חלאו,
טנגיו,
מיגל אנחל,
פלמנקו
Friday, December 26, 2014
Clases de baile con Eva Iglesias
VERANITO FLAMENCO
Clases de baile con Eva Iglesias
CURSOS: Del 19 al 30 de enero
Lunes y miércoles de 19 a 20.30hs (Jaleos)
Nivel: Principiante/ Intermedio
------
Martes y jueves de 19 a 2030hs (Soleá por bulerías)
Nivel: Intermedio/ Avanzado
MÁS CURSOS: Del 2 al 13 de febrero
Lunes y miércoles de 19 a 20.30hs (Tangos)
Nivel: Principiante/ Intermedio
------
Martes y jueves de 19 a 20.30hs (Alegrías)
Nivel: Intermedio/ Avanzado
Info e inscripciones: estudiolateflamenco@yahoo. com.ar/ 15 6126 5275
Clases de baile con Eva Iglesias
CURSOS: Del 19 al 30 de enero
Lunes y miércoles de 19 a 20.30hs (Jaleos)
Nivel: Principiante/ Intermedio
------
Martes y jueves de 19 a 2030hs (Soleá por bulerías)
Nivel: Intermedio/ Avanzado
MÁS CURSOS: Del 2 al 13 de febrero
Lunes y miércoles de 19 a 20.30hs (Tangos)
Nivel: Principiante/ Intermedio
------
Martes y jueves de 19 a 20.30hs (Alegrías)
Nivel: Intermedio/ Avanzado
Info e inscripciones: estudiolateflamenco@yahoo.
Wednesday, November 19, 2014
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