Showing posts with label Farruca. Show all posts
Showing posts with label Farruca. Show all posts

Monday, December 19, 2022

This January with Claudia Karapanou

 


On January 12th !
We will continue with the second block of the intermediate and advanced classes !
In these classes we have been working on technique and developing a choreography. But it is never too late to join and learn the new pieces of the choreos that are coming !

-Intermediate: Alegrias de Cadiz
-Advanced: Farruca


Thursday, December 12, 2019

Upcoming with Leonor Leal at Berlin


Flamencoworkshops mit Leonor Leal
21. - 23. Februar 2020

Farruca (AmV/M)
Freitag 17:00 - 18:00 Uhr
Samstag 11:00 - 12:30 Uhr
Sonntag 11:00 - 12:30 Uhr
Kursgebühr mit Frühbucherrabatt 120 €, danach 140 €

Técnica
Freitag 18:45 - 19:45 Uhr
Samstag 12:45 - 13:45 Uhr
Sonntag 12:45 - 13:45 Uhr
Kursgebühr mit Frühbucherrabatt 85 €, danach 105 €

Tarantos/Abandolao
Freitag 20:00 - 21:30 Uhr
Samstag 17:45 - 19:15 Uhr
Sonntag 17:45 - 19:15 Uhr
Kursgebühr mit Frühbucherrabatt 120 €, danach 140 €


Bulería de Jerez
Samstag 16:00 - 17:30 Uhr
Sonntag 16:00 - 17:30 Uhr
Kursgebühr mit Frühbucherrabatt 85 €, danach 105 €

Infos und Anmeldung:



Centro Flamenco Berlin

Monday, April 24, 2017

This September at Seville


Nivel básico, Romera con abanico - Charo Espino
Viernes 15/9 14.30 – 15.45
Sábado 16/9 13.00 – 14.15
Domingo 17/9 13.00 – 14.15

Nivel intermedio, Farruca - Miguel Ángel
Viernes 15/9 16.00 – 17.15
Sábado 16/9 14.30 – 15.45
Domingo 17/9 14.30 – 15.45

Curso de Cante, Bulería romanceá con Miguel Ortega
Viernes 15/9 17.30 – 18.30
Sábado 16/9 16.00 – 17.00
Domingo 17/9 16.00 – 17.00

Nivel intermedio/avanzado, Bulería romanceá - Ángel Muñoz
Viernes 15/9 18.45 – 20.00
Sábado 16/9 17.15 – 18.30
Domingo 17/9 17.15 – 18.30

Thursday, June 16, 2016

The workshop of Adrian Santana, June 2016

It's about time that I will write about it. I took another workshop with
Adrian Santana. I took again the mid level. It was a farruca this time. 

First day

When I came and after I got changed clothes - so many signed me for hello. It included Ilan who came for two levels - the solea for advanced and the class that I took, it included Idit, Mijal, even Adrian himself signed me for hello. Adva was there at the advanced. At a water brake she got through next to me at least twice and made a try NOT to look at me like I'm air. When did she become so snobbish? I was good for her when  I came to workshops that she gave with others and I was good enough for when I ran over the city to see her on stage - includes at some horrible places. She's angry with me since I came for a try at a class of her alone decided to finish by that without telling her how much it was horrible for me. And after that she was angry that I came to work for Concha Jareño and made a try to make it as professional as possible instead of seeing her on stage... I guess she became snobbish since. 

Between classes I was talking almost with everybody. Although Ilan was happy to see me - he wasn't in a mood to talk. But almost with all. Adva still made a try to look like she doesn't know me. Although her talent - at my head has started a list of curses over her. Even Adrian who knows me less than her was talking with me a bit. 

The class itself has started with a kind of warming that I remembered that typical to Adrian. Lots of legs' work. Some simple steps, but make you feel your muscles grow bigger at the same time you freak out from doing it again and again. Adrian looked at me many times for checking out if I'm doing well. Still I wasn't the only one who received his attention. All was professional and he gave attention to all with a lot of patience. He started to remind me Miguel at this way. Miguel also gives attention to all with lots of patience and do it very professional, but the Miguel's way is funnier. I was giving a complement to both of them now - if it wasn't clear enough. The warming took a long difficult time. It was difficult because of working so hard on it, but as far as I knew it's about to come (it's the second time that I take a workshop that he gives), the fact that I was dancing a lot between both workshops I took from him and my body is stronger now and my technique gets better - I could enjoy the pain. Few times Ilan checked me out as well, just for checking. He does it from time to time.

We started a farruca. Practice a lot from a little but difficult part of it. 
Again - that joke... Ilan has a joke over me that even if will be two people at the studio including me someone will run over me. This time few girls almost ran over me and I almost danced on the wall. Ilan was there to see it. I looked to see if he notice it. He did. He was looking at me and I saw that he tries NOT to laugh and can't  hold himself. It probably looked too funny. 

Our class has started with a late, we've been given over time from the late. The beginners' class has been cancel. No one after us. No dramas at the end

Second day

Once again - between classes I was talking with all Includes Adrian, accept Adva who still behaved like she doesn't know me. Ilan stressed me at the start. I didn't see him although he was meant to be at both classes - the one I was taking and the one before. Well, he did come only the the class I took with a weird story why did he miss the class before. A guy that lean at the studio and didn't come at the day before took that time the advanced.

This time the class has started closer to the time it meant to be. The same kind of warming, but shorter with time. A lot of work on the farruca. We made a practice on the steps we learned the day before and learned many new ones. This time Ilan almost ran over me, but he noticed it and got away without I will say a thing. 

Lots of work. Lots of pleasure. Got back home tired

Third day

Yael Tuchfeld came for a while to Israel. She came also to the last day of the workshops. I think that she took the bata class, but she stayed after. She was sinning to the advanced. This time Ilan didn't come at all. He didn't know at time that the workshops has a third day and it didn't worked out for him to come. 

Between classes I was talking again, mostly with Adrian and Yael. Suddenly Adva remembered that she knows me. She still didn't say a thing, but she got stuck to me when she saw me talking with Adrian and Yael. It looked like she tried to listen. I don't remember when I wanted that much as this time that she will stay away from me. 

For the last farruca class we stayed four brave women. Two others from Mijal's studio. Well, one of them used to be till she moved to Germany because of her boyfriend. She got back for a visit and go on dancing. Both of them made a practice while the third woman who came has started to talk with me. Not sure that I met her before. It was a nice meeting talk. 

Warming. A difficult for body warming.

Some practice on the steps we already learned and learned many more. Yael was sinning to us as well. It was fun to dance and hear her sinning. At the end of class Adrian accepted that I will take a video. Because of rush - I made it, but in a bad quality. 

Before going on - I asked Adrian to have a photo with me. Mijal made us two at my camera. As you can see she made it well, but it took some time. She doesn't use pro cameras very often. Adrian accepted I will publish the photos.

After going out from the studio I was talking at the phone with Ilan. I was telling him about the class he was missing. By the way I told him that Adva pissed me off. About Adva - the only thing Ilan had to say was "What's new?"



Wednesday, April 6, 2016

Adrián Santana's workshops this June at Tel Aviv




הרקדן הספרדי Adrian Santana, זוכה תחרות Certamen היוקרתית במדריד ורקדן בלהקות המובילות עם טובי הכוריאוגרפים בספרד, חוזר לישראל בתחילת יוני 2016!

אדריאן יקיים קורס מרוכז לפי רמות בבית להקת הפלמנקו הישראלית.

ימים ששי-שבת-ראשון - 3-5.6.2016

יום ששי: בטה (בינוניים-מתקדמים) ALEGRIAS: 12:00-13:20
מתקדמים SOLEA - 13:30-14:50
בינוניים FARRUCA - 15:00-16:20
מתחילים - 16:30-17:50 GUAJIRA עם מניפה

ימים שבת-ראשון:
בטה - 16:30-17:50
מתקדמים - 18:00-19:20
בינוניים - 19:30-20:50
מתחילים - 21:00-22:20

*מחיר הקורס - 450 ₪. הנחה 20% לקורס שני.

השיעורים יתקיימו בבית להקת הפלמנקו הישראלית
המסגר 60, תל אביב.

*מחיר מיוחד למשתתפי הקורס למופעי KIMICA ברחבי הארץ המארחים את אדריאן סנטנה.

למידע נוסף ולהרשמה:
03-6959536, keren@flamenco.co.il


Friday, February 13, 2015

To learn from Lorena Acuña


ALCÁNTARA CULTURAL CICLO CURSILLOS DE VERANO 2015 “TE INVITAMOS AL CICLO CURSOS DE VERANO 2015...DEL 23 FEBRERO AL 06 MARZO" 19 AÑOS JUNTO A LA DANZA Y LA CULTURA... LOS CURSOS REGULARES COMIENZAN EL LUNES 09 DE MARZO... TE ESPERAMOS EN ZONA SUR Y CENTRO!
I. BAILE FLAMENCO - Prof. Lorena Acuña / Acompañamiento en cante y guitarra: Ezequiel García. Se trabajará: Técnica de pies y cuerpo: marcajes, torso, brazos y pies. Compás. Secuencias coreográficas según cada nivel con acompañamiento de guitarra y cante; con clases complementarias teórico/practico para explicar la estructura de los palos aprendidos; a través del compás, las palmas y la práctica coreográfica sobre el cante y la guitarra. Tendremos además una clase especial aplicada al entrenamiento “sólo de pies”. En el nivel intermedio agregamos como elemento de trabajo al baile: el bastón. Son además clases de nivelación para las clases anuales 2015. TODOS LOS CURSOS INCLUYEN: CLASE ESPECIAL TEÓRICA / PRÁCTICA – MÚSICOS QUE ACOMPAÑAN LAS CLASES Y CERTIFICADO DE ASISTENCIA.
• DICTADO BAILE FLAMENCO - ZONA CENTRO: C. CULTURAL GRACIELA CARENA - Alvear 157 INICIAL / PRINCIPIANTE Palo: TANGOS DE TRIANA Días: Lunes, Miércoles y Viernes. – Horario: 18.30 a 19.30hs. Costo...$230 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
INTERMEDIO Palo: FARRUCA CON BASTÓN Días: Lunes, Miércoles y Viernes. – Horario: 19.30 a 20.30hs. Costo...$280 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
TÉCNICA (Entrenamiento de pies) Días: Lunes, Miércoles y Viernes. – Horario: 20.30 a 21.30hs. Costo...$250 (6 clases de 1hs c/u en 2 sem.)
AVANZADO Palo: TARANTOS Días: Lunes, Miércoles y Viernes. – Horario: 21.30 a 22.30hs. Costo...$300 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
• DICTADO BAILE FLAMENCO - ZONA SUR: ALCÁNTARA CULTURAL– Av. Bariloche 450 - B° Pque. Horizonte INICIAL / PRINCIPIANTE Palo: TANGOS DE TRIANA Días: Lunes, Miércoles y Viernes. - Horario a definir: 11a12hs ó 15a16hs. (Según grupos armados) Costo...$230 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
INTERMEDIO Palo: FARRUCA CON BASTÓN Días: Lunes, Miércoles y Viernes. - Horario a definir: 12a13hs ó 16a17hs. (Según grupos armados) Costo...$280 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
TÉCNICA (Entrenamiento de pies) Días: Lunes, Miércoles y Viernes. - Horario: 10a11hs Costo...$250 (6 clases de 1hs c/u en 2 sem.)
AVANZADO Palo: TARANTOS Días: Lunes, Miércoles y Viernes. – Horario: 13 a 14hs ó 17 a 18hs. (Según grupos armados) Costo...$300 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA PROMOS ESPECIALES: 2 CURSOS…10% DE DESCUENTO / 3 CURSOS… 15% DE DESCUENTO / 4 CURSOS… 20% DE DESCUENTO.
INFORMES E INSCRIPCIONES: Tel. (0351) 157-586885/461-5892 (dejar mensaje) E-mail: grupoalcantara@yahoo.com.ar Facebook: Lorena Acuña / Alcántara Cultural-Centro de Danzas-


Friday, February 6, 2015

Lorena Acuña

ALCÁNTARA CULTURAL
CICLO CURSILLOS DE VERANO 2015 “TE INVITAMOS AL CICLO CURSOS DE VERANO 2015...DEL 23 FEBRERO AL 06 MARZO" 19 AÑOS JUNTO A LA DANZA Y LA CULTURA... LOS CURSOS REGULARES COMIENZAN EL LUNES 09 DE MARZO... TE ESPERAMOS EN ZONA SUR Y CENTRO!
I. BAILE FLAMENCO - Prof. Lorena Acuña / Acompañamiento en cante y guitarra: Ezequiel García. Se trabajará: Técnica de pies y cuerpo: marcajes, torso, brazos y pies. Compás. Secuencias coreográficas según cada nivel con acompañamiento de guitarra y cante; con clases complementarias teórico/practico para explicar la estructura de los palos aprendidos; a través del compás, las palmas y la práctica coreográfica sobre el cante y la guitarra. Tendremos además una clase especial aplicada al entrenamiento “sólo de pies”. En el nivel intermedio agregamos como elemento de trabajo al baile: el bastón. Son además clases de nivelación para las clases anuales 2015. TODOS LOS CURSOS INCLUYEN: CLASE ESPECIAL TEÓRICA / PRÁCTICA – MÚSICOS QUE ACOMPAÑAN LAS CLASES Y CERTIFICADO DE ASISTENCIA.
• DICTADO BAILE FLAMENCO - ZONA CENTRO: C. CULTURAL GRACIELA CARENA - Alvear 157 INICIAL / PRINCIPIANTE Palo: TANGOS DE TRIANA Días: Lunes, Miércoles y Viernes. – Horario: 18.30 a 19.30hs. Costo...$230 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
INTERMEDIO Palo: FARRUCA CON BASTÓN Días: Lunes, Miércoles y Viernes. – Horario: 19.30 a 20.30hs. Costo...$280 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
TÉCNICA (Entrenamiento de pies) Días: Lunes, Miércoles y Viernes. – Horario: 20.30 a 21.30hs. Costo...$250 (6 clases de 1hs c/u en 2 sem.)
AVANZADO Palo: TARANTOS Días: Lunes, Miércoles y Viernes. – Horario: 21.30 a 22.30hs. Costo...$300 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
• DICTADO BAILE FLAMENCO - ZONA SUR: ALCÁNTARA CULTURAL– Av. Bariloche 450 - B° Pque. Horizonte INICIAL / PRINCIPIANTE Palo: TANGOS DE TRIANA Días: Lunes, Miércoles y Viernes. - Horario a definir: 11a12hs ó 15a16hs. (Según grupos armados) Costo...$230 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
INTERMEDIO Palo: FARRUCA CON BASTÓN Días: Lunes, Miércoles y Viernes. - Horario a definir: 12a13hs ó 16a17hs. (Según grupos armados) Costo...$280 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
TÉCNICA (Entrenamiento de pies) Días: Lunes, Miércoles y Viernes. - Horario: 10a11hs Costo...$250 (6 clases de 1hs c/u en 2 sem.)
AVANZADO Palo: TARANTOS Días: Lunes, Miércoles y Viernes. – Horario: 13 a 14hs ó 17 a 18hs. (Según grupos armados) Costo...$300 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA PROMOS ESPECIALES: 2 CURSOS…10% DE DESCUENTO / 3 CURSOS… 15% DE DESCUENTO / 4 CURSOS… 20% DE DESCUENTO.
INFORMES E INSCRIPCIONES: Tel. (0351) 157-586885/461-5892 (dejar mensaje) E-mail: grupoalcantara@yahoo.com.ar Facebook: Lorena Acuña / Alcántara Cultural-Centro de Danzas-

Tuesday, February 3, 2015

Learning from Lorena Acuña

ALCÁNTARA CULTURAL CICLO CURSILLOS DE VERANO 2015 “TE INVITAMOS AL CICLO CURSOS DE VERANO 2015...DEL 23 FEBRERO AL 06 MARZO" 19 AÑOS JUNTO A LA DANZA Y LA CULTURA... LOS CURSOS REGULARES COMIENZAN EL LUNES 09 DE MARZO... TE ESPERAMOS EN ZONA SUR Y CENTRO!
I. BAILE FLAMENCO - Prof. Lorena Acuña / Acompañamiento en cante y guitarra: Ezequiel García. Se trabajará: Técnica de pies y cuerpo: marcajes, torso, brazos y pies. Compás. Secuencias coreográficas según cada nivel con acompañamiento de guitarra y cante; con clases complementarias teórico/practico para explicar la estructura de los palos aprendidos; a través del compás, las palmas y la práctica coreográfica sobre el cante y la guitarra. Tendremos además una clase especial aplicada al entrenamiento “sólo de pies”. En el nivel intermedio agregamos como elemento de trabajo al baile: el bastón. Son además clases de nivelación para las clases anuales 2015. TODOS LOS CURSOS INCLUYEN: CLASE ESPECIAL TEÓRICA / PRÁCTICA – MÚSICOS QUE ACOMPAÑAN LAS CLASES Y CERTIFICADO DE ASISTENCIA.
• DICTADO BAILE FLAMENCO - ZONA CENTRO: C. CULTURAL GRACIELA CARENA - Alvear 157 INICIAL / PRINCIPIANTE Palo: TANGOS DE TRIANA Días: Lunes, Miércoles y Viernes. – Horario: 18.30 a 19.30hs. Costo...$230 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
INTERMEDIO Palo: FARRUCA CON BASTÓN Días: Lunes, Miércoles y Viernes. – Horario: 19.30 a 20.30hs. Costo...$280 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
TÉCNICA (Entrenamiento de pies) Días: Lunes, Miércoles y Viernes. – Horario: 20.30 a 21.30hs. Costo...$250 (6 clases de 1hs c/u en 2 sem.)
AVANZADO Palo: TARANTOS Días: Lunes, Miércoles y Viernes. – Horario: 21.30 a 22.30hs. Costo...$300 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
• DICTADO BAILE FLAMENCO - ZONA SUR: ALCÁNTARA CULTURAL– Av. Bariloche 450 - B° Pque. Horizonte INICIAL / PRINCIPIANTE Palo: TANGOS DE TRIANA Días: Lunes, Miércoles y Viernes. - Horario a definir: 11a12hs ó 15a16hs. (Según grupos armados) Costo...$230 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
INTERMEDIO Palo: FARRUCA CON BASTÓN Días: Lunes, Miércoles y Viernes. - Horario a definir: 12a13hs ó 16a17hs. (Según grupos armados) Costo...$280 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA
TÉCNICA (Entrenamiento de pies) Días: Lunes, Miércoles y Viernes. - Horario: 10a11hs Costo...$250 (6 clases de 1hs c/u en 2 sem.)
AVANZADO Palo: TARANTOS Días: Lunes, Miércoles y Viernes. – Horario: 13 a 14hs ó 17 a 18hs. (Según grupos armados) Costo...$300 (6 clases de 1hs c/u en 2 sem.) Anexo: CLASE ESPECIAL TEÓRICA / PRÁCTICA PROMOS ESPECIALES: 2 CURSOS…10% DE DESCUENTO / 3 CURSOS… 15% DE DESCUENTO / 4 CURSOS… 20% DE DESCUENTO.
INFORMES E INSCRIPCIONES: Tel. (0351) 157-586885/461-5892 (dejar mensaje) E-mail: grupoalcantara@yahoo.com.ar Facebook: Lorena Acuña / Alcántara Cultural-Centro de Danzas-


Wednesday, December 24, 2014

To Prague



ANGEL MUÑOZ se svým posledním představením konečně v Praze!

Ángel, del Blanco al Negro
... ďábelské flamenco v andělském podání...

Publikum slavného festivalu v Jerezu si toto představení po jeho prvním úspěšném uvedení v roce 2011 "vynutilo" k repríze, která proběhla v letošním roce 2014 v Teatro Villamarta . Je to velmi neobvyklé a v historii festivalu snad i ojedinělé. Lepší recenzi nenalezneme :-)

PROGRAM
Negro
Martinete-Seguiriya
Taranto
Farruca
Guajira
Alegrías
Blanco

VSTUPENKY A INFO:
Karol Martincová - 603 295 511, karol@fiestaflamenca.cz
Jitka Švecová - 603 417 550, jitka@flamenkin.cz

Ceny: 1590Kč, 990Kč, 490Kč

Předprodej:
http://www.fiestaflamenca.cz/predprodej-vstupenek/

Během navazujícího víkendu (17. - 19. dubna) proběhne ve studiu ITAKA s Angel Muñoz flamenkový workshop


For tickets:  http://www.fiestaflamenca.cz/predprodej-vstupenek/

Divadlo ABC
Vodičkova 28, 110 00 Prague, Czech Republic

+420 224 215 943

Wednesday, December 3, 2014

Upcoming with Ballet Nacional de España



El próximo sábado día 13 de Diciembre, en el Teatro Mira de Pozuelo de Alarcón, presentaremos el estreno por el BNE de la coreografía "Bolero" en homenaje al gran creador Rafael Aguilar, junto a las coreografías "Ritmos" de Alberto Lorca, "Viva Navarra" de Betty, "Farruca" de Juan Quintero y "Grito" de Antonio Canales.

Friday, November 28, 2014

En el Teatro Mira de Pozuelo de Alarcón



El próximo sábado día 13 de Diciembre, en el Teatro Mira de Pozuelo de Alarcón, presentaremos el estreno por el BNE de la coreografía "Bolero" en homenaje al gran creador Rafael Aguilar, junto a las coreografías "Ritmos" de Alberto Lorca, "Viva Navarra" de Betty, "Farruca" de Juan Quintero y "Grito" de Antonio Canales.

Sunday, November 23, 2014

Tablao flamenco - November 2014

At this time the dancers were Mijal Natan, Ayelet Shachar and Vlada Vest. The singer was Shuky Shveiky. The guitar player was Ofir Atar. He sang a bit as well.

This time I came with my mother like a good girl. I finally convinced her that it's about time that she will see the way Mijal dance. Respond was pretty weird for me. I told Mijal at Monday that I'm about to bring my mother and she said that finally she will know my mother. When we came tonight Mijal was outside. With Yael. I said hello. Mijal responded, a moment after "Oh, mother!". She started talking with my mother while I hugged and kissed like Spaniards with Yael. My mother told her that I talk a lot about her and that I enjoy at her studio. Mijal felt like hugging me too. I can handle it. First sign for it was a mistake to bring my mother came a moment later. I don't get those tickets for free, although I did receive a discount more than once just because it's me without I will ask for it. I told my mother that we should come early for taking a good place and for paying. When we went to pay she took by surprise. She said that she was sure I paid for it already and she came without any money. She found at the end, but it was a moment after I felt that the blood leaves my face. We got a place at the balcony. I made a try to bring her a program for she will see what will happen. She hardly looked, because of it she asked me if it includes an intermission. By the way hello from far for some and I made a try to tell her who's dancer at the audience and who's from the dancers will go up to the stage. I made a try to find out if Ilan will come (he said that he may). He didn't. I went down for a moment, mostly said hello to Kirill and tell Mijal what my mother already thinks of her (looks younger than she is). I noticed someone who I know mostly at the face and I know at which studio he used to learn (by the end of the evening I found out the he learns now from Vlada). A grown up couple came with chairs and took a place behind us. All was full with audience. 

The show itself has started. Ayelet came to stage in a purple dress which looked good on her. Moran came up as well wearing jeans. Moran stood next to the musicians for palmas. My mother asked me how does she dance with pants. She doesn't dance now... Ayelet was dancing a siguiryia. The first part seemed very the style of Ayelet, the rest felt like her way to dance a choreography of Mijal. Maybe few steps at this dance were familiar for me, the rest was very new. Ayelet made so beautiful and received many hands claps for it. Very justify. 

Second part. Taranto. Mijal came to stage after Shuky has started to sing. She was wearing a white dress with flowers and pink parts. Her shoes were pink. Never saw it before. I think it was a subversive choice to wear those colours and flowers for taranto. Again - although I saw Mijal dance tarantos more than once at those tablaos - few steps were familiar. Most was new. And some of the leatras - of the taranto and the tango that finish it were letras that I heard before. And it was clear it needed a lot of time at rehearsals. Not enough that the level of the dance is crazy - there was no a clear sign for changing the taranto for tango and still three of them made it well. Those who understand the little things could notice it without any problem. Most of palos at flamenco work out as most one thing and finish with one or two letras of another palo, taranto usually finish with tangos. Normally it needs a sign for all could do it live as improvisation at any palo. Of course - it could happen that after rehearsals it's possible to decide that it changes at a certain part.  I was charmed from it. Also many others at the audience. My mother... She said it was beautiful so far, she enjoy the show, is it an intermission already? No, one more dance...

Vlada and Ayelet camr up to stage wearing red dresses. They were dancing an alegria. For a long time together, after that - a bit of difference. At the part of silencio they made it mostly each one something different. After that - solos. Ayelet danced a bit alone, Vlada "answered" it. And a bit of dance and answer. All with a lot of charm and some good energy. Once again that I see this palo at this tablao, once again all of it is new to me, once again the dancers made me feel sorry for I can't handle to try dance it again. My mother said that this dance has a lot of humour. I guess that this time my mother was right. 

Intermission. My mother said that she enjoyed a lot so far, but she doesn't feel well. She decided to go away. She asked me to tell Mijal that she enjoyed the first part. And then what? I made a try to make her stay. Until she finally comes, and this time people knows that I didn't come alone, it could look weird that I will go out alone. And my mother wasn't sure how to go back home alone. If we went out together it wasn't a problem to show her the way - although we don't live at the same house anymore we still live at the same street. I made a try to tell her how to come back. I stayed to the second part of show and wasn't relaxed. I sent a text message to my mother and called one of my sisters. And closed the phone. Ofir and Shuky were back to stage. A girl at the balcony made a try to dance. Her brother (I guess it was her brother) was shouting at her to stop, she isn't a part of the show. 

First dance at this part was a farruca. Vlada danced it. With pants. The one on stage who was wearing a skirt was Ayelet who came to be the palmera this time. Although few little problems Vlada was amazing. I already saw this farruca, it didn't disturb me. Too beautiful and the dancer is great. The windows were open for air. Outside there are many cars. For one the alarm has started to work at a silence part of the farrica. At least it has been shut down fast. One earring fell for her. She took off the other one and thrown it away to the side. It didn't disturb the audience to love her. She received many hands claps. The woman behind me has started with jaleo which didn't sound like jaleo. Not only that it was silent - she said "hola". Few times I was sure that I don't hear well, but she kept doing it over and over again, also at the dances that came after. The farruca finished too fast. When Vlada made her bow down and went out the stage - a man from the audience was shouting "once again!". The woman behind me said silent "many more times". 

The next part was a musical part. Instead of listen - I opened my phone again to check out if my mother sent any message, She sent two. She got into a place that she knows and knows how to go on from there and she was talking with my sister. Even after getting relax from that - it took me a little time till I really listened to the music. I mostly can say it was something happy and fun. 

Next part was last dance. Mijal came up to stage dressed in black for solea/solea por buleria. Some parts of it were things she was teaching us till now, some of parts ere made different. I loved watching it. Still I was busy in the dress she was wearing. Although this time I accept that the colour is fit, but it didn't give a lot of place for imagination.....

Fin la fiesta. Shuky said that whoever can do it is invites, even just for being on stage. He knows names but won't say it. Ayelet, Moran and Vlada came back to stage. Yael came too and called another girl. This girl came after Shuky has started to sing. He sang two letras or so till Ofir came in to dance. He made it funny.After that they changed parts - Ofir started to sing. Shuky came in and made something crazy. He danced a bit, looked a lot at Ofir and made some silly things to make people laugh. After that - Ofir went on sinning. After a moment Yael came in with lot of noise. No try to make a joke, just being amazing. At the moment she finished the girl she that she called for danced as well. Wasn't amazing, but had it charm. After that Vlada danced as well. Again - too short. She's amazing too. Ayelet and Moran didn't want to dance at this part. Mijal made the finale. All collaborated accept the girl that Yael called for. She seemed confused and didn't do it as a part of group and no dancing at the salida. 

After the show I was talking a bit with the dancers. And with a girl who came to the show at the last moment. I know her through this studio and didn't see her for a while. At least people who knew that I came with my mother weren't around to see that I went out alone.

Wednesday, October 29, 2014

This December - Domingo Ortega at Italy




DOMINGO ORTEGA BAILAOR JEREZANO TERRA' UN WORKSHOP DI FLAMENCO PURO PER 3 GIORNI VENERDI 12 SABATO 13 E DOMENICA 14 DICEMBRE 2014 PRESSO L'ASSOCIAZIONE DI DANZA DUENDE 
LIVELLO PRINCIPIANTE-MEDIO-AVANZATO
I CORSI SARANNO A NUMERO LIMITATO


Duende Centro Danza
Via San Gennaro al Vomero 5, 80129 Naples, Italy

+39 081 019 8547