Showing posts with label Tango. Show all posts
Showing posts with label Tango. Show all posts

Monday, November 25, 2019

Upcoming at Tokyo


【追加クラス】
マントンの昼間クラスを追加いたしました。
是非、アドリアンのマントンクラスをご堪能くださいませ!

16日 
19:00-20:15 A タンゴ
20:30-21:45 B マントン

17日
11:30-12:45 B マントン
13:00-14:15 C タラント
14:30-15:45 D グアヒーラ (アバニコ)
19:00-20:15 A タンゴ
20:30-21:45 B マントン

18日
11:30-12:45 B マントン
13:00-14:15 C タラント
14:30-15:45 D グアヒーラ (アバニコ)

19日
11:30-12:45 B マントン
13:00-14:15 C タラント
14:30-15:45 D グアヒーラ (アバニコ)

20日
11:30-12:45 B マントン
13:00-14:15 C タラント
14:30-15:45 D グアヒーラ (アバニコ)

お申込み: adriansantanaflamencojp@gmail.com

[additional class]
I added the daytime class of manton.
Come and enjoy adrien's Manton class!

16 days
19:00-20:15 a Tango
20:30-21:45 B Manton

17 days
11:30-12:45 B Manton
13:00-14:15 c Taranto
14:30-15:45 D Ayo (Ava Nico)
19:00-20:15 a Tango
20:30-21:45 B Manton

18 days
11:30-12:45 B Manton
13:00-14:15 c Taranto
14:30-15:45 D Ayo (Ava Nico)

19 days
11:30-12:45 B Manton
13:00-14:15 c Taranto
14:30-15:45 D Ayo (Ava Nico)

20 days
11:30-12:45 B Manton
13:00-14:15 c Taranto
14:30-15:45 D Ayo (Ava Nico)

Apply: Adriansantanaflamencojp@Gmail.Com


Tuesday, December 16, 2014

Second try

About the new shoes...

One more class with the new shoes. This time Mijal herself gave the class as she always gives at Mondays. She asked me to see my shoes. So far she saw in the photos. She said that it's a beauty, but when I told her about the size thing - she said that although it's sad I mustn't dance in it. It will ruin my bones. I told her that I didn't bring any other couple this time. OK, but this time only. I should publish at Facebook that I sell those shoes. She accepted that I will try shoes of hers. She also has shoes of Artefyl, but hers are old. It still can give me a perspective for inviting a new couple. We have the same size. She brought me one for a start, but... Old. And this model includes shoe laces and the shoe lace is gone. By the way she said that the other Orna has the same size of shoes that I received. I told few people that I had a writing with someone from the firm who offered me to send it back to Spain for they will stretch it. All said it isn't a good idea. If it's only stretching - I can do it in Israel too. 

Class has started. Castanets' drills. After that a practice on the newest part of the siguiryia. And to dance from the start. Mijal stopped us after a moment. She didn't like our entrada. She wanted us to practice a walking. She showed us how does it suppose to look and how did we do it. Other teachers could do it horrible. The way she fixed us - it was funny. Through the laugh we learned a new thing about a very basic this. After that it was dancing all again with stops. We still needed to refresh our memory. By the way I started to wonder about my shoes again. Maybe she's right. I can dance in it, but I hardly felt the blood runs in my veins at my feet. If the other Orna has this size at her shoes - maybe she will want it. If not - Ayelet loved it and she's little in her body size. Maybe it will be good for her. Anyway - if one of them would like to have my new shoes although I took two classes in it - it will be good. I respect both of them, so at least I will know it will have an owner that worth having unique shoes. And I could make a new order - the same thing but demand on my real size this time. The only problem will be another month to dance at my old shoes. We learned few new steps for the siguiryia. Taking off the castanets. 

My "dear" friend came. I have no time for her. I'm getting tired from her nonsense and I had some more important things to do than giving her attention. Ilan was right. Without to ask him I was busy checking out if he drinks enough water. One message at the morning. He sent me back a photo that he brought two bottles of water to his other job. I write before in another post that here not all dancers earn enough money for living just from dancing. So, one more case although he has a lot of talent. A moment before class has started I asked him if he drank already. He showed me that he brought the water, but said that he was drinking from it earlier. One brake - I said that I didn't see him drink yet. He said that he rather drink between classes. Taking off the castanets - I came again. This time he drank a bit. Mazal Tov... Got back to my place. 

We've been asked to dance all we have at the tango of this class. Let's see what do we remember. I didn't really notice how good did others danced, mostly a try to remember. Seems like all of us forgot a bit, each one something else. Only few remembered the very last steps that we learned two weeks ago - at the last class of Mondays. They also had it in a puzzle, each one remembered a part. Mijal started to do this part. Slowly all of us had a reminder. We danced it few times. One of the guys of the company came and made a try to join, And few more steps. End of class. 

I didn't really say "hello" to my friend. I was looking for the other Orna. I told her that Mijal told me that her size at shoes is the same as I have at my new shoes. She said it's really her size, but she isn't looking for new shoes now. Is it really hurts my feet? I really shouldn't dance in it. She had a time that she danced in a couple of shoes which were too small for her. It made a damage to her feet. I should ask Ayelet. She and Ayelet have the same size and my new shoes looks like the style of Ayelet. I was amazed that she had this idea and said it this way. Ayelet saw it at the evening before and told me she loves it. I took off my shoes and I was looking for Ayelet. I didn't see her. Mijal took a cigarette brake. I asked her if Ayelet still around. She told me that Ayelet suppose to be there and stay for another class. Why do I look for her. I told her about the answer of the other Orna and what did Ayelet told me her opinion on my shoes at the evening before. Mijal said that it will be a good idea. I should look for Ayelet. I didn't rush to go. The class after has started. I was at the balcony. I noticed that Ayelet got back and dancing. I came to her. I told her that I'm sorry to disturb her at class, but... Ilan was joking that I'm about to sell it to Ayelet in a double price. She stopped for a moment and came with me to the balcony. She asked me if she can wear my shoes. Yes, she can. She was wearing and made few steps. Mijal stopped the class for asking if it fits. By the way she said that in case Ayelet takes it - it will be great if she will wear it in a certain dance of hers at a show they have now. Ayelet was hurry to go back to class. She asked me for it's price. She said that she will think about it. She asked me when do we see each other at the studio again. OK, so this week won't be another class. Next week she want me to bring those shoes again for she will try it again. If it's good - and so far it does - she will buy it from me. I promised her that now the shoes are waiting for her. If she want it - she's the next owner. In case that she decide not to - I will publish that I'm looking for someone who will buy it. She got back to her shoes and went down again to the studio. I heard Mijal say something that I'm nice for doing it. I changed and went. 

As far as those shoes are a gift - I let my dad know about it. I told him that Ayelet may take it. I will take a new order. NOW. So, one more e-mail to Artefyl. A bit less than a week to know if Ayelet and me will have similar shoes, one more month to the new couple. Still need to wait for the morning for someone will read it there

Tuesday, November 25, 2014

The last couple

OK, still didn't write about second class last week, there is a new one from tonight. Not sure how long it would take, I'll do my best to make it short:

Wednesday

This time I knew that the hyperactive girl won't disturb me. I took my Ritalin. She didn't disturb me, she didn't come at all. And too quiet at class before...It did happen and Ofir was there too, but too quiet. Between classes the only real "noise" was that Ofir still went on playing. By the way I asked Mijal if I could take a video at the end of class. She said that I can.

A lot of class took for a practice on parts of the solea, a lot of a practice on parts of solea por buleria. The man from Mijal's company who takes now those classes came in a late. Didn't matter much for him. Anyway he was looking where to stand for watching Ayelet. He made a little practice, but when didn't watch Ayelet - he stood at his place and looked at all of us from behind.

By the way we worked a bit on the first llamada. It includes four circles with stops. When we only started to work on this dance months ago Mijal told me that I don't have to do it, at least not to the end. I decided to try no matter what and I still do it. And I know that one thing that repeat with some teachers and not only Mijal that I've been asked over and over again to keep on focus at the circles, no matter which kind and when does it come. This time I didn't notice that Mijal was looking at me at the first time. I was too busy dancing. I did notice when she said loud "good Orna!". I saw her smiling satisfied. I was very pleased from myself. The problem that I got too "high" from it and the fact that I notice better that I need my new shoes. Too hurts my feet and becomes too difficult at circles because the shoes don't swing enough. So next times at those circles it wasn't that good.  I'm still waiting for the new shoes and started to try to find out where did it stuck. 

One of the things which amused me the most was a part that the looking girl stopped everything for a question. How does all understand what does Mijal ask for and practice the same part, but she doesn't understand? Mijal said that she call it by the name of part. What, do you mean that each part has a name? Mijal told her that everything in flamenco has a name. Oh dear... And this girls also learn at the very advanced class for professional dancers....!

After a long practice on parts - Mijal said that this time we'll dance what we have, and whoever wants can take a video now at parts. One of the girls wanted a video, but also wanted to have a video, She let someone else to take a video, a girl who probably got tired. The man sat down. I took a video of some of the girls dance. Mijal was dancing with them at some parts. At some point the other girl stopped taking a video. When the girl who danced noticed - the girl who took the video signed that the the space has gone. When was the part of moving to buleria - the space at my camera finished as well. I deleted something else. I missed a bit. I went on taking another video of the end. The man from the company took his stuff and went away. The girls were at a blackout. They forgot some of the steps of the buleria and made some mistakes at other steps. Mijal said that we'll work at next class. At next class we will start a new dance, but also work at the end about the buleria part. 

At home I moved the videos to my computer and started to delete some more things for some space. 

Tonight

Came on time. Was raining a bit today. No one outside. Got in. No class before. Ilan and the other Orna made a practice inside the studio. I asked them how did it happen. Ilan said it's too cold outside. Mijal was busy with someone who I never see before. They looked at some clothes. I think it's for the new show. Moran was there and said what's her opinion. Moran went away a bit after. I was talking a bit with Mijal and a bit with Ilan before class. Looked like class about to start, I went to my place. Ilan said that next week will be fine. I said that today will be fine. Who cares that he said it to the other Orna? Not all came this time. Some were missing. I don't remember that I saw Ayelet, Moran was a moment before but gone, looked like few more were gone.

We started to practice the drills of castanets, for a start the new stuff, after taking it with all steps and music. Few things became more clear to me. A long practice on a long drill. By the way I understood why did Ilan said that next week will be fine. He wasn't on his best this time. Too many mistakes which doesn't fit him. And moving on to a long practice on a drill of castanets by the beat of siguiryia. All of us needed it, Ilan still wasn't on his best and it took a little longer because of it. At a point of a practice on the castanets (already forgot which, but doesn't really matter) - Mijal has been walking between us to see who needs to be fixed and who do it well. I wasn't sure how would she respond to me, but she moved on like nothing is wrong. A moment after she stopped next to a girl that I didn't notice to. A new girl who's a friend or something like that of one of the teenagers at this class. Mijal made a try to fix her and told her the name of this part. The girl said that she doesn't know what it is. She could only knock the most simple thing. 
 
A practice on the part of couples at the siguiryia. The new girl was looking. Now I noticed that the "ballerina" was alone because of not all were there. The couple of Ayelet wasn't alone cause both weren't there (or do I remember wrong and her couple changed a place?). For my surprise Ilan had the first mistake, but all of us made. We needed a lot of work. And some new steps.

By the way I noticed a purple skirt that hanged on the door of the office. Something which isn't fit to wear just like that. I started to wonder if someone will wear it at the new show of <ojal and her company (Compas Company. Their new show called AguaDulce and will start this December). Fine, if I won't ask Mijal at the end of class - at least soon I will see the show and could see myself if this skirt is there or not. Till end of class I hardly could remove my eyes from this skirt. If I'm not mistaken the fabric called "tappet". A hanged skirt just shiny and purple. I wondered what do I want harder - to see it on a dancer in a show or having it myself. So beautiful!  

Went to dance all siguiryia from the start. By the getting ready I made a try to say something to Ilan, but no time. I wasn't sure how well will I do it. We start it as two rows. Ayelet and me lead the rows at the entrada and "take with us" all the others. As far as she wasn't there I wasn't sure that I won't miss the start. At least Mijal was counting, I took my Ritalin and the other Orna was there now at the start of the other row, so I could be focused on the start. At the rest of siguiryia - again wasn't sure. I had my blackout this time and was sure that I don't remember a thing. I missed a thing or two at the start, but seems like that I start to be focused on this dance at my own weird way. After few moments most of it came back to me and it was enough to hear the music at my head. We don't dance it with real music, but I could hear at my head the way our castanets and shoes meant to sound at each part. It was enough most of time. And the fact I could look anyway helped too. There were few moments that I still needed to look at others to remember, but most I could remember alone. Few moments I wasn't sure, but again - even then most of time I needed to trust myself. At the part we learned this time and a bit before - all of us made some mistakes and needed to work on it again. The nice one came and got ready. 

Taking off the  castanets. I went to Ilan. This time I could talk for a moment. I told him that all have those days. He usually hates when I try to talk with him when things doesn't work the way he wanted. This time he was relax and just agreed with me. I said that the happiest thing in seeing having mistakes is the fact that I do well. Again he didn't get angry, just said again it can happen to all. Everyone makes some mistakes. My "darling" friend came and joined as fast as she could. 

We made our new tango. This dance is easier, but it was harder for me to remember. My friend and the nice one joined for dancing with us. Mijal started with music, but a moment after she stopped the music and asked us to practice the newest part of it. Few steps which remind me the style of Marco Flores. And some new steps to the tango as well. A new remate. After some practice - dancing all few times. And in two groups. My friend was at the first group. I was at the second group with Ilan and the other Orna. Just like I prefer, Once they did and Mijal said they did it well. It took them a little time to move over and give us to dance, mostly to my friend. Seemed like she's getting between my feet all the start. Because of it, because of it was near the end and because I may need a bit more of the Ritalin - it took me too long to get into it. But at the end at least most of us made some mistakes. Mijal asked us to repeat it again. All of us made a little practice on the new steps. And once again - all of us dance it from start to the new steps. 

After class I stayed a bit to talk. didn't need a big reason at the start. One of the girls brought a bottle of wine, Ilan helped to open it and started to decant to glasses. By the way he took a bit. I made a try to be mean about it, but he made it as a joke that he brought the wine with a magic, so he could drink. Mijal got the first cup. She asked why does she's been given a cup of wine. Maybe because of her birthday.... A moment after my friend asked why did someone brought the wine. Oh, she was the only one there who didn't know about the birthday.... And I stayed a bit more. When their class has started I went to change. As far as Ilan was the only man there and I don't mind that he will see me this way - I changed at the balcony without a try to hide. But when I still needed to put on my pants - the man who designed the poster to the new show came and was hurry to the balcony. I sat as fast as I could and was hiding all there needed to with the pants. At least it was enough for him to say "hello" and he got ready with his back to me. I took on my pants as fast as I could. Got back home. Writing too long about it and do some other things by the way...

Thursday, November 6, 2014

Tonight at Jerusalem



מופע ההתרמה השנתי עבור מרכז הסיוע יתקיים עם יסמין לוי המדהימה 
ביום חמישי ה-6.11.14 בשעה 20:00 בערב בתיאטרון ירושלים!

יסמין לוי מתגייסת למען מרכז הסיוע ותופיע בהתנדבות במופע לדינו פלמנקו וטנגו, מאנדלוסיה בספרד ועד בואנוס איירס בארגנטינה. לצידה תופיע רקדנית הפלמנקו שרון שגיא.

כל ההכנסות מהמופע הן קודש לפעילות מרכז הסיוע, בהפעלת קו החירום 24 שעות ביממה, קיום קבוצות תמיכה לנפגעות אלימות מינית ומשפחותיהן, חינוך והסברה נגד התופעה ומאבק למען חברה שיוויונית ובטוחה יותר לכולנו!

בואו ליהנות מערב קסום שכולו תרומה למען מטרה טובה!

לפרטים והזמנת כרטיסים אנא צרו קשר:
טלפון: 052-6767444
מייל: shanijrcc@gmail.com // jrcc@netvision.net.il

קהילת מרכז הסיוע בירושלים

Wednesday, November 5, 2014

Tomorrow in Jerusalem



מופע ההתרמה השנתי עבור מרכז הסיוע יתקיים עם יסמין לוי המדהימה 
ביום חמישי ה-6.11.14 בשעה 20:00 בערב בתיאטרון ירושלים!

יסמין לוי מתגייסת למען מרכז הסיוע ותופיע בהתנדבות במופע לדינו פלמנקו וטנגו, מאנדלוסיה בספרד ועד בואנוס איירס בארגנטינה. לצידה תופיע רקדנית הפלמנקו שרון שגיא.

כל ההכנסות מהמופע הן קודש לפעילות מרכז הסיוע, בהפעלת קו החירום 24 שעות ביממה, קיום קבוצות תמיכה לנפגעות אלימות מינית ומשפחותיהן, חינוך והסברה נגד התופעה ומאבק למען חברה שיוויונית ובטוחה יותר לכולנו!

בואו ליהנות מערב קסום שכולו תרומה למען מטרה טובה!

לפרטים והזמנת כרטיסים אנא צרו קשר:
טלפון: 052-6767444
מייל: shanijrcc@gmail.com // jrcc@netvision.net.il

קהילת מרכז הסיוע בירושלים

Monday, November 3, 2014

AguaDulce - first shows




AguaDulce - מופעי בכורה!
מופע חדש המציג את ענפי הפלמנקו השייכים לקבוצת ה IDA Y VUELTA קבוצת סגנונות אשר "יצאו וחזרו" מאמריקה הלטינית לספרד (בעיקר קובה) ומאופיינים באופי רך ומלודי יותר משאר ענפי הפלמנקו.
בערב ייחודי ומקורי זה אנחנו משיבים את החומרים האלו לביקור בארצות מוצאן..
המופע הינו בשיתוף פעולה עם יוצרי ורקדני טנגו ארגנטינאים מרצועיים בהובלת רונן חייט כמו גם עם הכוריאוגרף הספרדי-ארגנטינאי Hugo David Alvarez.
הערב מלווה בשירה ובמוסיקה חיה
ניהול אמנותי וכוריאוגרפיה: מיכל נתן
כוריאוגרפים נוספים: רונן חייט, Hugo David Alvarez
ניהול מוסיקלי וגיטרה: יחיאל חסון
שירה: יאנה אספרנסה רודריגז
רקדניות להקת הפלמנקו הישראלית COMPAS: מיכל נתן, ולדה וסט, הדס נסטל, מורן רון, אילת שחר
רקדני טנגו: רונן חייט, מאיה שוורץ
תלבושות: ורוניקה שור
ניהול, שיווק והפקה: קרן רגב-אביב
6.12.14, שעה 21:00 אולם ויקס מכון ויצמן, רחובות 08-9364979
7.12.14, שעה 20:30, היכל התרבות אור עקיבא 04-6266636
8.12.14, שעה 21:00, מרכז סוזן דלל 03-6959536
תאריכים נוספים בסוזן דלל: 24.1.15, 21.2.15

Saturday, November 1, 2014

Thursday at Jerusalem



מופע ההתרמה השנתי עבור מרכז הסיוע יתקיים עם יסמין לוי המדהימה 
ביום חמישי ה-6.11.14 בשעה 20:00 בערב בתיאטרון ירושלים!

יסמין לוי מתגייסת למען מרכז הסיוע ותופיע בהתנדבות במופע לדינו פלמנקו וטנגו, מאנדלוסיה בספרד ועד בואנוס איירס בארגנטינה. לצידה תופיע רקדנית הפלמנקו שרון שגיא.

כל ההכנסות מהמופע הן קודש לפעילות מרכז הסיוע, בהפעלת קו החירום 24 שעות ביממה, קיום קבוצות תמיכה לנפגעות אלימות מינית ומשפחותיהן, חינוך והסברה נגד התופעה ומאבק למען חברה שיוויונית ובטוחה יותר לכולנו!

בואו ליהנות מערב קסום שכולו תרומה למען מטרה טובה!

לפרטים והזמנת כרטיסים אנא צרו קשר:
טלפון: 052-6767444
מייל: shanijrcc@gmail.com // jrcc@netvision.net.il

קהילת מרכז הסיוע בירוש

Thursday, October 30, 2014

Next Thursday at Jerusalem


מופע ההתרמה השנתי עבור מרכז הסיוע יתקיים עם יסמין לוי המדהימה 
ביום חמישי ה-6.11.14 בשעה 20:00 בערב בתיאטרון ירושלים!

יסמין לוי מתגייסת למען מרכז הסיוע ותופיע בהתנדבות במופע לדינו פלמנקו וטנגו, מאנדלוסיה בספרד ועד בואנוס איירס בארגנטינה. לצידה תופיע רקדנית הפלמנקו שרון שגיא.

כל ההכנסות מהמופע הן קודש לפעילות מרכז הסיוע, בהפעלת קו החירום 24 שעות ביממה, קיום קבוצות תמיכה לנפגעות אלימות מינית ומשפחותיהן, חינוך והסברה נגד התופעה ומאבק למען חברה שיוויונית ובטוחה יותר לכולנו!

בואו ליהנות מערב קסום שכולו תרומה למען מטרה טובה!

לפרטים והזמנת כרטיסים אנא צרו קשר:
טלפון: 052-6767444
מייל: shanijrcc@gmail.com // jrcc@netvision.net.il

קהילת מרכז הסיוע בירוש

Friday, September 26, 2014

November 2014 with Diego El Cigala


A flamenco singer of the highest order, and Three-time Grammy Winner El Cigala has often been touted as "The Sinatra of Flamenco.” His various collaborations with world-renowned Latin American artists have earned him a reputation for seamlessly melding the rhythms and melodies of his Spanish Gitano heritage with styles ranging from bolero to son, tango, and Afro-Caribbean jazz.
YouTube: http://www.youtube.com/watch?v=5T-sotRUSVI
BUY RECEPTION at Barcelona Restaurant & CONCERT TICKETS
https://worldonstage.secure.force.com/ticket#sections_a0Fi0000005qpYrEAI

Prime seats are located in first 7 rows of center orchestra
Please note Tickets are LIMITED
Reception 5:15 to 7:15 pm at Barcelona Restaurant & Bar 222 Summer St. Stamford (Behind the Palace)
7:30 pm Concert at Palace Theater with no Intermission
Concert tickets only: http://www.palacestamford.org/

Sunday, September 14, 2014

Tablao flamenco - September 2014

This time the dancers were Mijal Natan, Moran Ron and Hadas Nestel.
The musicians were Ofir Atar (guitar) and Shuky Shveiky (sinning),

I came not much after doors opening. Until I got in - two gays came after me and made everyone know that they're a couple. One of them didn't like the place. Eyal came with a camera and got in. I missed my chance to say hello to all, At least got to see some of the girls from the company who didn't come to dance at the show. And Ofir. At this kind of shows there are not many of my fellows. Too many weirdos this time. The gays took the place I usually sit at. I took a place next to them. A guy with a video camera and one more camera next to me. One more girl who's probably his assistant. They got too much on me for too many times, mostly her. I noticed Ilan. He wasn't suppose to come, but somehow he decided to come at the last moment and got in. I called him. He came to the balcony and talked with me for a bit. He almost stayed to sit with me. A friend of the gays already wanted the place he meant to sit at. He got down at the end. I went after him, talked a bit more and made it to wish luck to Mijal. When I got back to my place - the friend pushed my place more to the cameras. Great...... Who wants to die?

The show itself has started with a martinete. Both were wearing pants. I didn't know this dance before. Most of it they were dancing to the audience, but in few parts they danced to each other together. I really loved what they did. Ayelet made palmas all the martinete.

Later on - Mijal was dancing a taranto. If I remember correct - this dance was a part of an old show of her company. Still looked so beautiful. Shuky made the palmas. Near the end it looked a bit like a try to communicate better with Ofir and Shuky. Has been made elegant. I guess that those who don't do it all the time didn't notice. 

Next part. Ayelet got back for the palmas. Hadas was dancing an alegria that she made herself = from the choreography to dancing. This girl has lots of talent. The audience was pleased (enough to hear the hands claps). Only one problem: what the hell was the red shining thing that she was wearing?

Intermission. Eyal had enough and went away. I hope that soon I will have some photos he took till this part. 

Second part. Moran was dancing a solea. Not only a solea - the solea that I learn now once a week. Few things looked a bit different, but it is the same dance. And some more that I still didn't learn. So much elegance. And now I could see it from the side. I could be proud to learn this thing. Such an amazing dance! And I wasn't the only one who loved it. And talking about weirdos.... I could see most of audience at the studio. Ayelet made some jaleo from her place. I saw two getting old women who started to look to the side of Ayelet like she was doing something bad. It took them too long to relax, mostly to one of them. 

One short musical part. 

Go on. Vlada came to make the palmas. Moran and Hadas came together and dance tangos. A bit of together - to audience and to each other, some as solos. Moran was the first to dance a full letra alone. I know the letra! One of the letras I learned last year at the studio of Neta, the one which the easiest for me to remember the words! And as far as it's Moran, as far as it's a show of Mijal's company - the dancing looked so different from the way I can dance it. Hadas had a different letra which I didn't know before. And shorter. The whole tango was too short for me. Fun things finish too fast. And as far it's this palo - Moran finally had also a chance to smile at this show. 

Mijal made the next part. She was dancing cantiñas. Well, she even started to dance a moment before she got up to stage. Just stood there in the front of stage and made hands' part. The stage has steps in the sides. Mijal didn't go there. She stepped up through the part in the middle of stage were she was standing. I didn't see this dance before for sure. One more fun part which seem to finish too fast. 

End of show. Bow downs. Fin la fiesta. Whoever wants to come can, even just for palmas. Didn't fit me to come. I couldn't understand why didn't Ilan do it. Accept performers of the night = most were girls from Mijal's company - girls who made palmas or just came.  One who wasn't a part was Aya. She isn't at this company or studio. The first to dance was Ofir. A bit he made a try to get Shuky into it. Ofir replaced Shuky in sinning. OK, who's next? Till Mijal almost pulled someone - Aya got in. Bare foot again. She always do it without any shoes. And dancing? Well, I guess that yesterday the arak took a part for loving her. This time I stopped to like her again. Vlada was next to dance. Elegant. Shuky got back sinning. Hadas mada a part. I could see a lot of the buleria that I learn at the last months. Ayelet made something different. The steps and style were new to me, she still made it amazing. After her - Ofir was sinning again. Shuky danced something funny. Mijal signed all to maka a salida. 

I made a try to say goodbye to the fellows who were on stage. I made it with some. Ilan could walk home with me, I still wanted at least that we'll go out together. He was hurry. Just a short conversation out. 

Well, hope that it wasn't too weird. I had two full long days and I should go to sleep 

Sunday, July 6, 2014

The latest tablao

I went again to a tablao at the studio of Mijal. This time on stage: of course Mijal herself was dancing. Accept her = also were dancing Ayelet Shachar, Vlada Vest and as a guest star - Yael Tuchfeld. The guitar player was Ofir Atar. The singer was Shuky Shveiky.

I came few minutes before the official doors' opening. Keren said that if I want to get in the same moment it will be only for saying hello and going out. OK... It's before show has started. At this time that I'm not used to hurry for the dancers and I don't know if they would like it. I said that I don't want to bother, I will wait. She said that I can get my ticket by this time. I didn't have the correct money for it and she still didn't have the change. I was waiting. Shuky and Ofir came by that time. Ofir was sinning for me as joke, a moment after he said I'm everywhere. Of course! By this time the doors officially got open and few got in. Keren had change for me. Without I will ask for it - she gave me a little discount (DO NOT TRY IT AT HOME! You must be me for that!). Hello for few. I mean - Mijal noticed me, after that hello to Hadas and lia. I found my place at the balcony. At those shows usually there are no many of "my fellows".It wasn't different this time, I knew mostly the fellows who's gonna be on stage and few more at the company and not officially at the show. The nice one of Mijal's studio came with her boyfriend but she was too busy in saying hello to the dancer and at her boyfriend, so...

Few minutes late. It has started with a solea. Ayelet was dancing. The entrada she made was new to my eyes, but a moment after she was dancing the part we started to learn at Wednesdays. A long part after new. And the drills got in somehow. I finally could see from the side for the first time how beautiful is our new solea. Moran was there to do her palmas. From the stage the only thing which went on all dances and I didn't like was that it seemed that they are not waiting for cheers. I love the musicians which has been taken to the show, but from my view it seemed like they are the fellows who rush it all without to wait. 

Second thing was a musical part. I hate to say it, but I couldn't recognize the palo. I hate to say even more that I didn't let myself to record it in my camera (I have recording thing as well). It sounded amazing. The only thing which disturbed was the couple next to me (how does it happen all the time?). They know it includes hands claps. so they clapped their hands (mostly she), but without the beat. 

Next. Ayelet got back to stage. This time with Vlada and Hadas. Hadas found her place behind Shuky and Ofir for the palmas. Ayelet and Vlada were dancing an alegria, a bit to each other and a lot together. Near the end there was a part which the legs of their both made the same, from waist and up each one had a different move. It looked with with so much harmony and they both were very correct without to forget the soul. One of the moments that I have regrets for I'm not able to dance alegria. 

Mijal was next to come up with a taranto. Isn't the first time I see her dance a taranto, not first time that I see her at the dress she was wearing, but it was something new. I'm nit sure if it was because I was tired or because the way she was dancing - it looked a bit surrealist in a cool way. At the moment it changed to a tango - the musicians stopped, Mijal was standing and looked at the audience. She was waiting silence for the cheers, The cheers didn't late to come. And she went on with the tango and the musicians joined her. That part was with a lot of humour. 

Intermission.

The second part has started with another alegria. That's the palo of Yael. She was dancing it in a red dress. Again - one more dress I saw before, but it looks good on her. And a big flower in the hair. Two hairpins fell by her dancing. It  didn't disturb the alegria look unique and beautiful. Ayelet made her palamas. She stayed for the next chart. 

Next was a farruca. Vlada came to stage wearing pants and a shirt which still showed the tattoo she have on her back. As far as it's a palo for men, as far as she was wearing pants - she was dancing like a man. Near the end few feminine motives still got in. Even dancing like a man, even at parts she was dancing with roughness - she was just amazing. It took me a moment to fall in love in the way she performed it. I noticed two old women who went away. I think they are rude and don't understand when they see something good. 

Vlada and Ayelet went down from stage.  Mijal and Yael got back to stage. Yael was the palmera. Mijal was dancing a solea por buleria. The entrada was the same as the entrada of our solea. Again - just to see from the side what a great thing we have. All looked cool.

Fin la fiesta. Some came up to stage, mostly the girls from Mijal's company. The couple next to me started to clap their hands without the beat. I couldn't join from my place for palmas. After a letra of buleria - Ayelet was dancing. At the studio of Neta I hear a lot how much at those parts the dancers fight for dancing. After Ayelet was dancing I noticed that Mijal sign the girls to dancers to take a part more than palmas. No one wanted. She made a try with Yael who didn't want. No one else wanted. Shuky started dancing while sinning. When he finished - Mijal signed Yael again. She still didn't want. Shuky was sinning to her and it looked at the start like he's shouting at her. Yael started to dance. After a while she signed Mijal to join her for the salida. They danced together and all went out from stage. 

Only after show was over the nice one noticed me and said hello. I went to talk with the fellows who performed. Oh... Kirill was there too at the audience. He knocked my shoulder to say hello. He started to help to organize the studio while I went to talk (with some also hug). After I moved between all I got relax and went away

Thursday, July 3, 2014

This August with Luis de Luis




הרקדן והכוריאוגרף LUIS DE LUIS 
מגיע לישראל ויעביר סדנאות בבית להקת הפלמנקו הישראלית

LUIS DE LUIS - אחד הרקדנים הידועים היום בספרד. נולד בגרנדה למשפחה בעלת מורשת פלמנקו. מופיע כרקדן מקצועי מגיל 12 ומאז, בכל הפסטיבלים הידועים בספרד ובעולם. הופיע לצד אמנים בעלי שם כגון - אנריקה מורנטה, שרה באראס, אווה לה ירבהבואנה ועוד..

תאריכים: 14-17.8.2014
TANGOS :מתחילים:
SOLEA :בינוניים
TARANTOS :מתקדמים\מקצועיים


שעות:
ימי חמישי, שבת וראשון - 
17:30 מתקדמים
19:00 בינוניים
20:30 מתחילים
ביום שישי - החל מ- 11:00 בהתאמה

מחירים:
קורס אחד - 500 שח
שני קורסים - 900 ש"ח
שלושה קורסים- 1350 ש"ח
השעורים יכללו - יציבה, טכניקת רגליים וגוף עליון, קצב, פלמאס וכוריאוגרפיה.
ביום האחרון יצטרף גיטריסט.

בסוף הקורס תינתן תעודה.

להרשמה: 03-6959536, 054-2322885
!!!הרשמה ותשלום עד ה 1 באוגוסט 2014 בלבד*

 למבטלים לאחר תאריך זה יוחזר 50% מהסכום*

Wednesday, July 2, 2014

Luis de Luis comes to Tel Aviv this August




הרקדן והכוריאוגרף LUIS DE LUIS 
מגיע לישראל ויעביר סדנאות בבית להקת הפלמנקו הישראלית

LUIS DE LUIS - אחד הרקדנים הידועים היום בספרד. נולד בגרנדה למשפחה בעלת מורשת פלמנקו. מופיע כרקדן מקצועי מגיל 12 ומאז, בכל הפסטיבלים הידועים בספרד ובעולם. הופיע לצד אמנים בעלי שם כגון - אנריקה מורנטה, שרה באראס, אווה לה ירבהבואנה ועוד..

תאריכים: 14-17.8.2014
מתחילים: TANGOS
בינוניים: SOLEA
מתקדמים\מקצועיים: TARANTOS

שעות:
ימי חמישי, שבת וראשון - 
17:30 מתקדמים
19:00 בינוניים
20:30 מתחילים
ביום שישי - החל מ- 11:00 בהתאמה

מחירים:
קורס אחד - 500 שח
שני קורסים - 900 ש"ח
שלושה קורסים- 1350 ש"ח
השעורים יכללו - יציבה, טכניקת רגליים וגוף עליון, קצב, פלמאס וכוריאוגרפיה.
ביום האחרון יצטרף גיטריסט.

בסוף הקורס תינתן תעודה.

להרשמה: 03-6959536, 054-2322885
הרשמה ותשלום עד ה 1 באוגוסט 2014 בלבד*!!!
* למבטלים לאחר תאריך זה יוחזר 50% מהסכום