Upcoming with Claudia Karapanou

 

Adela Campallo at Amsterdam

Stichting Terremoto presenteert
LLENO DE FLAMENCO 2015 -' ARTE Y FLAMENCO'

Amsterdam
TOLHUISTUIN, Concertzaal
IJpromenade 2
www.paradiso.nl

Voor de 22e keer werd op zondag 28 juni 'Lleno de Flamenco' gepresenteerd in Amsterdam.
Het programma omvat verschillende 'Bailes' en 'Cantes' die het veelzijdige karakter van de Flamenco laten zien. De choreografieën zijn gemaakt door diverse dansers / docenten uit Nederland en Spanje.
De samengestelde voorstelling van Lleno de Flamenco en de avondvoorstelling, zijn een bijzondere kans om hoog gekwalificeerde flamenco uit Spanje in een actueel vernieuwend concept, naast de hedendaagse flamencobeoefening in Nederland te ervaren.
De gerenommeerde Spaanse artiesten uit de avondvoorstelling worden in Spanje gehonoreerd vanwege hun hoog en eigentijds niveau en stijl, en diepgaande kennis van de traditie van de flamenco.

Avondvoorstelling | Concertzaal
'ADELA'
Adela Campallo dans | 'Londro' zang | David Vargas gitaar

Aanvang: 20.15 uur, zaal open: 19.45 uur
Entree: € 18,-
Passe-partout: € 22,50
(inclusief middagvoorstelling)

Flamenco afterparty 22.00 - 1.00 uur
Na afloop van de avondvoorstelling kan men nagenieten in de lounge, met gelegenheid om te dansen op Spaanse en flamenco muziek.
Er is ook ruimte voor 'Juerga' met alle deelnemers van de Lleno de Flamenco!

Middagvoorstelling | Concertzaal
LLENO DE FLAMENCO 2014
Groeps- en solopresentaties
Aanvang: 15.00 - 17.30 uur ( met een pauze), zaal open: 14.30 uur
Entree: € 12,-
Passe-partout: € 22,50 (inclusief avondvoorstelling)

RANDPROGRAMMA |' Arte y Flamenco' - 28 juni
Masterclass tekenen/schilderen naar beweging & compás
door PATRICIO HIDALGO (Sevilla) m.m.v. flamencodanseres & gitarist
Voor beeldende kunstenaars uit A ’dam & omgeving
Aanvang: 14.15 – 16.15 uur
Prijs: € 45,- ( inclusief entree middagvoorstelling)
Tevens toegankelijk voor het publiek (gratis met entreebewijs middagvoorstelling)
Bij interesse, mail: info@terremoto.nl

Flamencomarkt (nieuw en 2e hands)
In de Lounge, tijdens de dag tot aan de avondvoorstelling

Uitgebreide Tapasbar - voor en na de middagvoorstelling en tijdens pauze

Expositie
Flamenco fotografie & beeldende kunst
In diverse zalen en de aankomsthal van TOLHUISTUIN zijn een foto expositie en -projecties te bewonderen van bekende flamencofotografen en - kunstenaars.

FLAMENCO WORKSHOPS - AMSTERDAM | aansluitende dagen
29 - 30 juni & 1-2-3-4 juli
Workshops Flamencodans - Adela Campallo (Sevilla) |
3 niveaus: Basico, intermedio en (semi) professionals/ masterclass + Bata de Cola
Bij interesse, mail: info@terremoto.nl
Meer informatie op www.terremoto.nl
mail: info@terremoto.nl

Marina Herediaat Casa Colon De Huelva

This January with Arcangel at Holland

Flamenco Biennale Nederland presents its last intermezzo before the Festival in January 2015: 

OLOR A TIERRA (Scent of the Earth) is the latest project from Arcángel, one of the greatest voices of the new crop of flamenco singers. The cantaor from Huelva (1977) likes to look across flamenco boundaries, just like his hero Enrique Morente, the self-willed innovator of flamenco singing. For this Flamenco Biennial Intermezzo he teams up with new top talent Dani de Morón (guitar) and Agustín Diassera (percussion) in a flamenco quartet that makes sparks fly.
With Patricia Guerrero, winner of the famous ‘Premio el Desplante’ dance award of the Festival de la Unión and the ‘Giraldillo’ for New Talent at the 2012 Seville Flamenco Biennial. Modern-day flamenco, interpreted with zest and gusto by today’s flamenco artists.

5th Dutch Flamenco Biennial

Presentamos el nuevo cartel 2015

Rocío Molina, Pablo Martín, Rosario la Tremendita (Biënnale NL)

Arcangel at the Holland, 2015

2015 at Holland with Arcangel

After the beautiful Intermezzo in February with Rocio Molina & Rosario we are preparing for a new one in April, the last prelude to the V edition of the Flamenco Biennial NL 16.01-3.02 2015, with the incredible voice of ARCÁNGEL, and special guest, dancer PATRICIA GUERRERO

Arcangel at Flamenco Biennial NL

After the beautiful Intermezzo in February with Rocio Molina & Rosario we are preparing for a new one in April, the last prelude to the V edition of the Flamenco Biennial NL 16.01-3.02 2015, with the incredible voice of ARCÁNGEL, and special guest, dancer PATRICIA GUERRERO

Anne Frank

Anne Frank.
Marzo/Mayo 2014
Dinamarca, Holanda y Bélgica
Compañía Flamenca María Juncal

Concha at Amsterdam (don't forget)

This March at Amsterdam

Flamenco at Holland

Concha Jareño comes to Amsterdam this March

January with Angela Fonseca

For this week

The other class has finished when I still got ready with hair/clothes/shoes... At least I have no reason to rush because of the brake between classes. When I was ready and got down there was still a brake. Hadas from the company of Mijal helped one of the girls to practice a dance which I'm not sure that I know. Although there was a little moment that Hada forgot a step - it looks cool. The dance itself it a real beauty and looks like Hadas is a good teacher. I was almost sorry that she doesn't teach me this dance at this moment. They finished when Mijal got back inside the studio. There was someone who I wasn't sure at the start from where do I know her. She was there with her niece and few friends from Holland. After a while I knew it's the person I thought she is - she has a job at Días de Flamenco. I don't know if she does anything else in her life. Hadas took two photos with the mobile phone of someone - one of the girls from Holland with Mijal, one of all the girls with Mijal and that woman. Hadas went, but the guests stayed to watch.

We started legs' warming which fast went to be only on a beat of siguiryia. I still need to practice it cause I still don't remember it all well and few steps I still don't do perfect, but at least it become a smaller surprise. When I do it with others I remind quickly how does it suppose to be. After a short while of doing it on the beat - Mijal asked Ayelet who was sitting there at the studio near the door. Mijal asked for help for getting a solo compas of siguiryia for we could listen while we practice. It still took twice or three that we've been asked to stop and start again after few steps. After a practice with music - Mijal asked three girls to do it alone - each by her turn. 

Fine, now to dance all the liviana from the start. The woman form Días de Flamenco said we're wonderful and they go. Mijal asked her to stay and see the dance. The dragon tattoo girl looked a part of it and joined at the middle. I dance, but not so well. After once - the woman from Días de Flamenco said the she and the girls from Holland think that we're wonderful and we have a wonderful teacher.

We started to learn few new steps. I noticed that the start was simple but something doesn't work well. Mijal looked at me. I thought it gonna be horrible, but she just showed me slowly how to do the part which didn't go well and she was waiting till I did it again. Once like that and it worked out. Some wanted to go on. We made few steps. Mijal walked between us to see that we do it well. Although that for me the hands and all the part of up with the body is easier for me than that legs - Mijal said that it isn't bad the way I do the new steps. Cool, I guess that I'm getting better. 

Ilan came when we made the practice on the new steps. He hardly looked and went out to practice. We danced the liviana few times. I wish I could say that I remember all well now and do it great, but I still have some holes in my memory and I still have what to improve at the way I dance this liviana. The good thing is that it still feel to me easier every week. 

One of the fellows from Mijal's company got in, sat down and looked. He came for the men's class. Mijal started a speech. She said that it's wrong to say that someone can't dance and doesn't fit. It's something that everyone can learn. Each one has something they do good and the only thing to learn about it is to get it out. All others things can be learned and needs a practice. Even to have a stage personality is something which is hard to teach, but it's possible. Fine, now to dance all the liviana again and do it pretty. This time I was already tired and out of concentration. Still it didn't take too long till the man from the company made us "ole". I guess it wasn't for me. 

Before I went to change I went to the door. Ilan was out with another man from Mijal's company. they made a practice with someone else on their farruca. The only thing which took him out from the farruca was getting on with a joke we had today through Facebook. Mijal wanted out for a cigarette, so I went out too just to look. After a while of watching I told Ilan that I will talk with him later on cause it needed to take an appointment with him a year ahead. He said it need two years ahead, even now to the year 2020. I went to change. All were inside again accept Mijal. Ilan need that the man who made the practice with him to tell him that I wanna say something. I made only one thing to say fast...

This October - Juana Amaya in Amsterdam

JUANA AMAYA COMES TO HOLLAND (AMSTERDAM) ON 4-5-6 OF OCTOBER, TO GIVE WORKSHOPS

The tour of Dorantes (reminder)

Tripping Dorantes

From a magazine for Holland