Showing posts with label Jesus Corbacho. Show all posts
Showing posts with label Jesus Corbacho. Show all posts

Saturday, August 10, 2019

La vida es un romance - the premier

Maria Juncal has a new show called "La vida es un romance". As far as she comes many times to Israel for work and the producer of this show is Silvia Baro, the woman who brings her to Israel - Maria decided to do the premier at Tel Aviv, Israel. As far as I see it - it's a big honor. I went to see it. Yeah, just seeing without taking photos...

I was sure that I will meet at the crowed some people that I know. I've seen few, but not from "my" people. There was no publicity who's gonna perform with her, even I didn't know. So, I was surprised to see Jesus Corbacho outside while he was talking with a guy. I hate to admit that I didn't recognize with who did he talk with, but... Jesus Corbacho!!! I love him! I did think to ask for a photo with him. At the first moment I wasn't sure that it was a good idea because I don't know him personally, I just know that I know that I love him as a singer. And he was talking with someone, I was a bit afraid to disturb. Second thought - since when do I afraid of it? I always ask for a photo with flamenco artists from Spain if I really love their work. So I came. A bit confused in the start, but I made it. I told him that I love his sinning and I want a photo with him. He was really nice and accepted. The guy he was talking with took my phone for taking a photo. It looks like this:


The show itself:

It started with a surrealistic part. A white clear fabric hanged. Maria Juncal was dancing around it, but mostly inside the part it limited. The recorded music wasn't flamenco, the clothes she was wearing were fit more to sport than flamenco - including the shoes, the dance itself had some elements of flamenco, but it wasn't pure flamenco.

The second part gave the musicians to go into stage. Well, most of them. There were 3 singers, two came in. It has started with a long a capella sang by Jesus Corbacho. The others joined later. Another dancing part. I don't remember the palo, but this time Maria got back with flamenco shoes and clothes which more fit for flamenco. This part was pure flamenco and beautiful.

Music part and the third time that Maria was on stage. This time all were on stage. At this time - a guajira, a fan, a skirt which more Maria Juncal style than flamenco. The skirt was very elegant, but not really flamenco. The dance itself - divine. Two parts amazing by the singers - once all sang to her dancing, but without words and each one did it a bit different. A bit like sea waves. Second time - the same, but this time with words. Each one sang another letra at the same time. It sounded a bit like a "white noise", still amazing.

Chairs for the musicians moved to the middle. At the start - a solo for the singer Juan Carlos Trivino Tamayo who was standing while the others were sitting. A bit after he sat down - Maria came back with a black bata that a bit reminded me a raven, maybe it was needed to look this way. A solea. Were some moments that she was clear at the connection with the musicians and danced around the singers and really responded to them in a way that even people who don't know flamenco can understand. I love the place that the show took a part and Maria is amazing, but a thing of "the show must go on".... Near the  start of the solea - Maria was dancing near a light on stage. I don't know if her bata touched it. A moment after she got closer to the musicians - from the light came out some smoke that didn't need to be there. Two women who sat at the row before mine got into stress. The show went on like nothing happened, Maria was dancing and Jesus was sinning to her. It looked like a mystic moment form a horror movie about witches. I wasn't sure if to be amazed or be afraid. I guess I was more amazed. The smoke stopped by itself. A bit after that - Maria got near it again. Her bata made this light fall down, still on stage, but still.

The mistakes at the end didn't disturb. Crazy hand claps in the end. Half of the audience (the hall was almost full) stood up for it. After that few minutes to give Maria breathing and changing clothes. Some of the audience went away, but some like me stayed. After that the manager of this place made a conversation on stage with Maria Juncal (the star), Silvia Baro as the producer and Miguel Angel Rojas. Miguel wasn't on stage that evening till that moment. He came as a director of the show. After all were talking a bit - time for questions. There was a woman who asked about a different show of Maria, another woman didn't ask a thing but said that she moved that much from the show till she started crying. I couldn't take some real photos at the show (which is sad because I had so many photos at my head), but when the conversation happened - I took couple of photos with my phone




I hope that Maria will go on with this show for a long time. I hope that will be some photos of it. If I could take some....

Saturday, March 17, 2018

Jesus Corbacho



Jesus Corbacho


After watching "El Encuentro" of David Coria

Días de Flamenco 2018. The main show is "El Encuentro" of David Coria. I admit that David Coria is new to me. It was a bit confusing for me. How didn't I know him before? I was guessing that he's good cause normally at this festival there are good/great artists. And at this show he has many other talented people with him, some I knew before, some I respect. He get a back up with four other dancers, at least this time with Adela Campallo that I do like. Other daners: Florencia O´ryan (who's been here recently alone), Lorena Franco and Rafael Ramirez. Singers: El Londro and Jesus Corbacho. About both of them I heard before, about Jesus - I loved before the way he sings and I think that now I love even more. Guitars: Jose Luis Medina and David Vargas. Percussions: Rafael Heredia. So, as I said - normally great artists at this festival. I'm glad to say that it was a pleasure to know a new artist that I didn't know before with a backup of others that some I already like and love. I'm glad to say that the show itself is theatrical and with some humor as I love to see in flamenco. The only thing that made it less than perfect was the feeling it's really long show. An hour and half with a lot of stuff to show to the end the talent that runs on stage.

So, although were some musicians on stage - the show have started with recorded music. The curtain opened on an empty and very open stage. All dancers and musicians next to the wall that in front of the audience. A mic stands on stage near the audience. Classic music on. David Coria came to the mic like has something to say. The others back him up to talk, a moment after most try to take the mic till Jesus Corbacho takes it off stage. The show goes on with a dance with still recorded music. Few minutes of a dance which is a mix between flamenco and a modern style. After few minutes David Coria stayed with live music. Most of time he didn't go down from stage while the other dancers got down and back to stage.

One dance with a scarf for the bride. David Coria and his dancers danced with it with an a capella, most of time of Jesus Corbacho, but El Londro joined to sing near the end. Not much after that a solo of Adela Camapallo who was the only dancer who didn't take a part in "the bride". David Coria went out of stage. I won't say all, but there was a big part with oranges. After a minute or two - the 3 dancers ate oranges on stage while looking Adela dance solea. At the end of the dance - David Coria got back to stage and said in Hebrew "I want to eat an orange". It pulled some laughs and hands claps. This is only one example to the humor at the show.

An hour and a half of madness and talent. Two parts of dancing with a capella. One scarf. Many oranges. Many other dances, but my head is full to tell about all dances.

All on stage and El Londro brought back the mic to the stage. Once again a recorded music. This time Billie Holiday. David Coria check out the mic to talk. No talking, end of show. And no matter how much did the show felt compressed - it gave a wish for some more

Tuesday, April 12, 2016

El Choro at Días de Flamenco 2016

Yep. Once again it takes me some time to write about a show. And from few reasons - this time it was enough for me to see the main show of Días de Flamenco.  That was "Bailes de Jitanos" of El Choro.

It was very emotional for me this time. For a start - my old dog has passed away recently. It was the first flamenco that I saw since. It's THAT fresh. Accept that - this time the first day of the festival came out on the birthday of my dear friend Maya. From so many reasons - although we're at contact all the time - we didn't see each other for too long. We had our meeting few minutes before the show. 

The show itself - he wasn't alone on stage. Accept him - two guitar players. Jesus Guerrero and Juan Campallo. Percussions: Paco Vega. Singers: Moi De Morón, Pepe de Pura and Jesus Corbacho. And another dancer - Gema Moneo.

All show made as a show of flamenco puro. A lot of respect for traditional style of flamenco. No story behind, just few chairs, a table, music and dance. It starts with music and El Choro sits next to the table and knock a buleria. It also finish this way. At the middle - a show that keeps you with your mouth open just because of the talent and ability of dancers and musicians. There was a part that Gema Moneo came to stage with hair down. She was sinning and dancing at this part. I loved that moment. It made so well and looked gipsy.

There was one moment that made it less than perfect. This time one microphone turned down in the middle of the show. Pepe de Pura had to shout. One moment he came near to the audience. The husband of my friend Maya said that he thinks that it was a moment of real flamenco - to hear a person sing instead of the microphone. I loved the part in it that I noticed that the guitar players made a try to support him. The music got down and finished. They made the beat only until he finished his solo. Although the problem - they got out of it in a very professional way with a real connection between them. I think they made the problem to magic. Later on the mic has been replaced. 

I was moved from this show. Still - as far as it was at that day and I came to see it this way - it's a bit difficult for me to say more. Just a perfect show. And even the thing that made it less became special. And I was moved from what came out to me accept that. 

At the audience was also Mijal, my teacher. I was responsible for a little conversation between me, Mijal and Maya. Maya saw her many times on stage. Our first meeting was as an audience at a show of Mijal with her company and Rafael Amargo. After that Maya and her husband gave me a ride home. At the car was waiting for me a gift. Maya gave me a box of chocolates for making me happy

Saturday, September 27, 2014

This November with Saray de Los Reyes (and few more)




-- SPECIAAL IN NOVEMBER 2014 --

*WORKSHOP FLAMENCO DANS met SARAY DE LOS REYES uit Sevilla 
Vrijdag 14 november van 20.00 - 22.00u
Zaterdag 15 november van 15.00 - 17.00u

*OPTREDEN PASION GITANA: SARAY DE LOS REYES , JESUS CORBACHO &
GABRIEL DE LA TOMASA, PEDRO SANCHEZ
Zaterdag 15 november om 21h00
Zondag 16 november om 15h00

Voor de workshop: 75 € (of 40€ voor 1 dag)
Combiticket voorstelling + workshop: 85 €
Info workshops http://www.alandalus.be/cursussen/nieuws
-> Wie graag een tafeltje wenst om lekkere tapas te komen eten, reserveer tijdig, plaatsen beperkt!

INFO, COMBITICKETS EN INSCHRIJVINGEN VIA
info@alandalus.be
www.alandalus.be

LOCATIE:
Flamencocentrum Peña Al Andalus
Vorstermanstraat, 1 - 2000 Antwerpen België
Telf. + 32 / 03 - 248.64.45 ('s avonds)
+ 32 / 03 - 830.31.99. (overdag)
www.alandalus.be
info@alandalus.be